8.0/10
23,270
101 user 113 critic

Hiroshima Mon Amour (1959)

Hiroshima mon amour (original title)
Not Rated | | Drama, Romance | 16 May 1960 (USA)
Trailer
2:10 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

ON DISC
A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.

Director:

Reviews
Nominated for 1 Oscar. Another 6 wins & 5 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

Director: Alain Resnais
Stars: Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoëff
Night and Fog (1956)
Documentary | Short | History
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

Director: Alain Resnais
Stars: Michel Bouquet, Reinhard Heydrich, Heinrich Himmler
Breathless (1960)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.

Director: Jean-Luc Godard
Stars: Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger
Vivre Sa Vie (1962)
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Director: Jean-Luc Godard
Stars: Anna Karina, Sady Rebbot, André S. Labarthe
Jules and Jim (1962)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Decades of a love triangle concerning two friends and an impulsive woman.

Director: François Truffaut
Stars: Jeanne Moreau, Oskar Werner, Henri Serre
The 400 Blows (1959)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A young boy, left without attention, delves into a life of petty crime.

Director: François Truffaut
Stars: Jean-Pierre Léaud, Albert Rémy, Claire Maurier
Pickpocket (1959)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Michel is released from jail after serving a sentence for thievery. His mother dies and he resorts to pickpocketing as a means of survival.

Director: Robert Bresson
Stars: Martin LaSalle, Marika Green, Jean Pélégri
Comedy | Drama | Music
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor.

Director: Agnès Varda
Stars: Corinne Marchand, Antoine Bourseiller, Dominique Davray
Crime | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

Director: Jean-Luc Godard
Stars: Jean-Paul Belmondo, Anna Karina, Graziella Galvani
A Man Escaped (1956)
Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A captured French Resistance fighter during WWII engineers a daunting escape from a Nazi prison in France.

Director: Robert Bresson
Stars: François Leterrier, Charles Le Clainche, Maurice Beerblock
Contempt (1963)
Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.

Director: Jean-Luc Godard
Stars: Brigitte Bardot, Jack Palance, Michel Piccoli
L'Avventura (1960)
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A woman disappears during a Mediterranean boating trip. During the search, her lover and her best friend become attracted to each other.

Director: Michelangelo Antonioni
Stars: Gabriele Ferzetti, Monica Vitti, Lea Massari
Edit

Cast

Complete credited cast:
... Elle (as Emmanuele Riva)
... Lui
Stella Dassas ... Mother
Pierre Barbaud ... Father
... German Lover
Edit

Storyline

A French woman and a Japanese man have an affair while she is in Japan making a film about peace and the impact of the atomic bomb on Hiroshima, The man, an architect, lost his family in the bombing. She recalls her lover during the war, a 23 year-old German soldier who later died. Despite the time they spend together, her attachment appears minimal and they go forward into the future. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

When God's silence falls upon men. See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

|

Language:

| |

Release Date:

16 May 1960 (USA)  »

Also Known As:

Hiroshima Mon Amour  »

Edit

Box Office

Opening Weekend USA:

$18,494, 17 October 2014, Limited Release

Gross USA:

$88,300, 2 January 2015
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

The scene in the Hiroshima Peace Memorial Museum early in the film includes several scenes from the 1953 Japanese film Hiroshima (1953), which starred Japanese actor Eiji Okada, who also plays the leading role in this movie. For obvious reasons, no footage that featured Okada from the earlier Japanese production was included. See more »

Goofs

When Elle leaves the hotel to go the set, she is wearing a nurse's uniform with a headscarf and carrying a black handbag. When Lui meets her on the set, she is now wearing a skirt and blouse and still has the headscarf. When they leave the set, the headscarf is left behind. When they get to Lui's house, she now has a white jacket. See more »

Quotes

Elle: Listen to me. I know this, too. It will happen again. 200,000 dead, 80,000 wounded in nine seconds. Those are official figures. It will happen again. It will be 10,000 degrees on the earth. "Ten thousand suns," they will say. The asphalt will burn. A deep chaos will prevail. A whole city will be raised and once more crumble into ashes.
See more »

Connections

Referenced in H Story (2001) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

The beginnings of the inland empire
10 May 2011 | by See all my reviews

Memory has persistently troubled filmmakers, this facet of consciousness by which the past overwrites the present. Where do these images come from, at what behest? More importantly, by invoking memory, how can we hope to communicate to others this past experience, which only perhaps existed once?

The woman says she saw Hiroshima, the charred asphalt and scorched metal, the matted hair coming out in tufts. We may have seen the same anonymous images of disaster, elsewhere, and think we saw. We see other people like her, like ourselves as mere spectators of a film, walk around the a-bomb museum in Hiroshima among the relics of disaster, lost in thought, impotent to reconstruct the experience from these glassed remnants of it. One of the great metaphors of memory, this museum that houses and presents fragmentary what used to be and how the spectators merely move inside it—internal observers of images.

The woman says she saw Hiroshima, but we know she didn't really experience. We know by the same images we may have seen, and which we see again in the film. We know this from our own private efforts to relive time gone. We see the objects and sounds but not having walked among them, we only know them vicariously. Can we ever get to know through cinema for that matter?

The great contribution of Resnais to cinema is firstly this, the realization that this medium is inherently equipped to inherit the problem of memory—just what is this illusory space. Inherently equipped in the same breath to fail to recapture the world as it was, like memory. Where Godard would be in thirty years, Resnais—and his friend Chris Marker—already was with his debut. He gives us here a more poignant, intelligent disclaimer of the artificiality of cinema than Godard ever did. The woman is of course an actress starring in a film—about peace we find out.

But Hiroshima is not the simple ploy of a trickster, it enters beyond.

We see in Hiroshima how the past forms that make up life as we have known it, and in which the self was forged, come into play. How these things, a past love or suffering thought to matter at the time, are only small by the distance of time. That we weren't shattered by them.

And we see how, having been, these forms will vanish again. How this present love and perhaps the suffering that will follow it, thought to matter now, will also come to pass and be forgotten. How we will perhaps try to recount these events at a future time, our reconstructions faced with the same impotence to make ourselves known or know in turn.

All that remains then, having walked the city in an effort to shape again from memory, is this moment, perhaps shared by two people on a bed. These walks taken together. Perhaps a story to tell or a film about it.

Something to meditate upon.


15 of 19 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 101 user reviews »

Contribute to This Page

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial



Recently Viewed