Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
Shot by a jealous husband, Charley falls out a porthole and is lost at sea only to find himself returned as an attractive blond woman. His best friend is staying at his house as he puts ... See full summary »
When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.
When he learns that a gangster has taken over his nightclub and murdered his partner, returning WW2 hero Joe Miracle steals the money from the club's safe and hides in a settlement home, while the mob is on his tail.
Chuck Wheeler gets out of the Pen and sets up an elaborate heist of Vegas casino money travelling by armored truck. He enlists the help of shady club owner Joe Darren and his ex-cellmate's wife, Vi. Vi's husband Mike is a trigger happy and jealous hothead and will not grant her a divorce. Mike escapes from prison right before the armored truck job goes into motion and promises trouble as he tries to locate his associates and his wandering wife. Written by
Ed Sutton <email@example.com>
In The Maltese Falcon (1941) Sam Spade refers to Wilmer as a 'gunsel'. Trivia notes include the following: "The Yiddish term "gunsel"--literally, "little goose"--may indeed be a vulgarism for homosexual (the word "faigle", or "little bird", is usually used in that respect), but it's more commonly an "underground" term that refers to a person who is either a "fall guy" or a "stool pigeon"." In the case of Wilmer it is appropriate; in this film, in the trailer, 'gunsel' is used as if it meant gunslinger. See more »
As Mike Bennett And Chuck Wheeler are turning the armored car around after hearing the report on the police radio, the shadows on the mountain road change. See more »
Released from San Quentin, slick and ingenious Gerald Mohr (as Charles "Chuck" Wheeler) travels from Los Angeles to Las Vegas. There, Mr. Mohr plans to carry out a $2 million dollar heist. He needs assistance from dangerous gangster Grant Richards (as Joe Darren), who runs the nightclub where blonde bombshell Mamie Van Doren (as Vi Victor) performs. All hell breaks loose when Mohr's steely-eyed cell-mate Lee Van Cleef (as Mike Bennett) escapes from prison. Having helped Mohr concoct the plot, he wants his share of the action...
The men must decide how to divide Ms. Van Doren and the money. They do well amid silly narration and lesser production values. Filmmakers Robert E. Kent and Edward L. Cahn know how to showcase Van Doren's notable assets. This is not one of better her acting vehicles, but Van Doren is arousing throughout. She has an outstanding lingerie scene and saunters two songs. Sung in a sultry Christmas scene, "Meet Me Half Way, Baby" is pedestrian, but "Anything Your Heart Desires" is a nicely staged (by Jack Baker) number for Van Doren.
***** Guns, Girls and Gangsters (1/59) Edward L. Cahn ~ Mamie Van Doren, Gerald Mohr, Lee Van Cleef, Grant Richards
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