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The Fugitive Kind (1960)

Not Rated | | Drama, Romance | 14 April 1960 (USA)
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.

Director:

Sidney Lumet

Writers:

Tennessee Williams (screenplay), Meade Roberts (screenplay) | 1 more credit »
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2 wins. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Valentine 'Snakeskin' Xavier
Anna Magnani ... Lady Torrance
Joanne Woodward ... Carol Cutrere
Maureen Stapleton ... Vee Talbot
Victor Jory ... Jabe Torrance
R.G. Armstrong ... Sheriff Jordan Talbot (as R. G. Armstrong)
Virgilia Chew Virgilia Chew ... Nurse Porter
Ben Yaffee Ben Yaffee ... 'Dog' Hamma
Joe Brown Jr. Joe Brown Jr. ... 'Pee Wee' Binnings
Mary Perry Mary Perry
Madame Spivy Madame Spivy ... Ruby Lightfoot (as Spivy)
John Baragrey ... David Cutrere
Sally Gracie Sally Gracie ... Dolly Hamma
Lucille Benson ... Beulah Binnings
Emory Richardson Emory Richardson ... Uncle Pleasant, the Conjure Man
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Storyline

Having fled New Orleans to avoid arrest, the undeniably alluring Valentine "Snakeskin" Xavier (Val), a trouble-prone guitar-playing drifter, wanders into a small Mississippi town aiming to go straight and lead a quiet, simple life. He gets a job in the dry goods store owned by a sexually-frustrated middle-aged woman named Lady Torrence, whose sadistic elderly husband, Jabe, is dying. With an obscure past and passions of her own, Lady finds herself attracted to Val, pulsating with passion anew, as he presents an arousing antidote to her bitter marriage and small-town hum-drum life, but also vying for Val's attention are the alcoholic, sex-crazed Carol Cutrere and the unhappily-married Vee Talbot. Each bring their share of problems into Val's plans, himself equally tempted by these women though he succumbs to the charms of Lady. But the jealous Jabe is friends with Sheriff Talbot, who's also Vee's wife - things can't possibly end well for Val and Lady. The screenplay by Meade Roberts ... Written by pdlussier1

Plot Summary | Add Synopsis

Taglines:

...and now the screen is struck by lightning ! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 April 1960 (USA) See more »

Also Known As:

Tennessee Williams' The Fugitive Kind See more »

Filming Locations:

Milton, New York, USA See more »

Company Credits

Production Co:

Pennebaker Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Anna Magnani became furious when she found out that Marlon Brando was asking director Sidney Lumet for rehearsals and getting them, and insisting that scenes be re-shot until he was satisfied with them. See more »

Quotes

Carol Cutrere: Juking? Oh! Well, that's when you get in a car, which is preferably open in any kind of weather. And then you drink a little bit and you drive a little bit, and then you stop and you dance a little bit with a jukebox. And then you drink a little bit more and you drive a little bit more, you stop and you dance a little bit more to another juke box! And then you stop dancing and you just drink and you drive. And then, you stop driving.
See more »

Connections

Featured in The 77th Annual Academy Awards (2005) See more »

Soundtracks

Blanket Roll Blues
Music by Kenyon Hopkins
Lyrics by Tennessee Williams
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Frequently Asked Questions

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User Reviews

 
Wordy, good-looking soaper for grown-ups
6 May 2002 | by moonspinner55See all my reviews

Tennessee Williams and Meade Roberts co-adapted Williams' play "Orpheus Descending" about a reluctant stud drifting through backwater town, stirring up the passions of an Italian shopkeeper who's married to a cranky invalid. Eerie and fabulously atmospheric piece gives the women in particular (Anna Magnani, Joanne Woodward, Maureen Stapleton) great roles to play. Marlon Brando, well-cast as the guitar-strumming gadabout with the bedroom eyes, doesn't seem as fully involved, and his focus tends to wander. Overall, an intriguing soap opera for mature audiences, beautifully photographed by Boris Kaufman and nimbly directed by Sidney Lumet. *** from ****


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