The Diary of Anne Frank (1959)

During World War II, a teenage Jewish girl named Anne Frank and her family are forced into hiding in the Nazi-occupied Netherlands.

Director:

George Stevens

Writers:

Frances Goodrich (screenplay), Albert Hackett (screenplay)

Stars:

Millie Perkins, Shelley Winters, Joseph Schildkraut

Won 3 Oscars. Another 5 wins & 14 nominations.

Cast

Complete credited cast:
Millie Perkins	...	Anne Frank
Joseph Schildkraut	...	Otto Frank
Shelley Winters	...	Mrs. Petronella Van Daan
Richard Beymer	...	Peter Van Daan
Gusti Huber	...	Mrs. Edith Frank
Lou Jacobi	...	Mr. Hans Van Daan
Diane Baker	...	Margot Frank
Douglas Spencer	...	Kraler
Dodie Heath	...	Miep (as Dody Heath)
Ed Wynn	...	Mr. Albert Dussell

Storyline

In Nazi-occupied Holland in World War II, shopkeeper Kraler hides two Jewish families in his attic. Young Anne Frank keeps a diary of everyday life for the Franks and the Van Daans, chronicling the Nazi threat as well as family dynamics. A romance with Peter Van Daan causes jealousy between Anne and her sister, Margot. Otto Frank returns to the attic many years after the eventual capture of both families and finds his late daughter's diary.

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Plot Keywords:

attic | diary | world war two | amsterdam netherlands | holocaust | 

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Genres:

Biography | Drama | Family | History | War

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Certificate:

Approved

Details

Country:

USA

Language:

English German

Release Date:

1959 (UK)

Also Known As:

El diario de Ana Frank

Filming Locations:

Amsterdam, Noord-Holland, Netherlands

Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$5,014,000

Company Credits

Production Co:

George Stevens Productions

Technical Specs

Runtime:

180 min 171 min (FMC Library Print)

Sound Mix:

Mono (Westrex Recording System)

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Film debut of Diane Baker.

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Goofs

On the first night of Hanukkah, Anne says it is December 7, 1942 - a Monday - and two candles are lit and blown out. When Otto Frank goes to inspect the break-in, he says it is Saturday and no one will return until Monday. The same two extinguished candles are seen throughout the scene.

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Quotes

[first lines]
Kraler: Mr. Frank. - Mr Frank?
Otto Frank: Kraler. - Mr. Kraler. Miep. My good friends.

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Crazy Credits

At the end, neither a "The End" credit nor a cast list appears, only the title of the film once more ("The Diary of Anne Frank").

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Alternate Versions

Originally released at 170 minutes, then later cut and available only in 156-minutes version. Complete edition has been recently restored on video.

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Connections

Referenced in The Golden Girls: The Actor (1987)

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Soundtracks

Berg op zoom
(uncredited)
Traditional

User Reviews

Stevens' Big Gamble

Just as Otto Preminger gambled in the casting of unknown Jean Seaberg in the title role of "St. Joan," so George Stevens similarly took a big risk with Millie Perkins in "The Diary of Anne Frank."

As the story goes, Stevens saw model Millie on a magazine cover, fell in love with her expressive eyes, and theorized that this unknown would be more effective than an established star to portray Anne.

Though Perkins had no acting experience, Stevens--at the peak of his career--was confident that he could teach Millie to act, at least for this film.

Although Audrey Hepburn was very interested in the part (as was Stevens in her) Stevens finally decided that it would be more effective to use a fresh actor--one with whom the public would have no pre-conceptions. (Other successful cases to support his theory being Hurd Hatfield as Dorian Gray and Robert Alda as George Gershwin.) Still, it was a huge gamble, since Anne was the pivotal role in this major production.

Well, the results are now history. For many moviegoers Perkins was just fine. While some critics easily spotted her reedy inexperience and rather sympathized with her being thrust into a super-professional arena, they conceded that Millie did do a commendable job.

Unfortunately, Perkins took a lashing from most critics, and her subsequent acting career has been relegated to minor roles in "B" films. Those are the "breaks," though in the fickle film world.

Yet, with all this, many people still think of Perkins' countenance when they envision of Anne Frank. So she and Stevens made a lasting impression.

Likewise, for many, this production remains the definitive version of a profoundly touching World War II real-life chronicle.