The Diary of Anne Frank (1959)

During World War II, a teenage Jewish girl named Anne Frank and her family are forced into hiding in the Nazi-occupied Netherlands.

Director:

George Stevens

Writers:

Frances Goodrich (screenplay), Albert Hackett (screenplay)

Stars:

Millie Perkins, Shelley Winters, Joseph Schildkraut

Won 3 Oscars. Another 7 wins & 14 nominations.

Cast

Complete credited cast:
Millie Perkins	...	Anne Frank
Joseph Schildkraut	...	Otto Frank
Shelley Winters	...	Mrs. Petronella Van Daan
Richard Beymer	...	Peter Van Daan
Gusti Huber	...	Mrs. Edith Frank
Lou Jacobi	...	Mr. Hans Van Daan
Diane Baker	...	Margot Frank
Douglas Spencer	...	Kraler
Dodie Heath	...	Miep (as Dody Heath)
Ed Wynn	...	Mr. Albert Dussell

Storyline

In Nazi-occupied Holland in World War II, shopkeeper Kraler hides two Jewish families in his attic. Young Anne Frank keeps a diary of everyday life for the Franks and the Van Daans, chronicling the Nazi threat as well as family dynamics. A romance with Peter Van Daan causes jealousy between Anne and her sister, Margot. Otto Frank returns to the attic many years after the eventual capture of both families and finds his late daughter's diary.

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Plot Keywords:

attic | diary | world war two | amsterdam netherlands | holocaust | 

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Genres:

Biography | Drama | Family | History | War

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Certificate:

Approved

Details

Country:

USA

Language:

English German

Release Date:

1959 (UK)

Also Known As:

The Diary of Anne Frank

Filming Locations:

Amsterdam, Noord-Holland, Netherlands

Box Office

Budget:

$3,000,000 (estimated)

Company Credits

Production Co:

George Stevens Productions

Technical Specs

Runtime:

180 min 171 min (FMC Library Print)

Sound Mix:

Stereo (Westrex Recording System)

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The second of three George Stevens films in which Shelley Winters starred. The others are A Place in the Sun (1951) and The Greatest Story Ever Told (1965). She received an Oscar nomination for her performance in the former, and won the Academy Award for Best Supporting Actress for this film.

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Goofs

Anne Frank was given the diary for her thirteenth birthday, a few days before they all went into hiding and not after going into hiding as depicted in the film.

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Quotes

[first lines]
Kraler: Mr. Frank. - Mr Frank?
Otto Frank: Kraler. - Mr. Kraler. Miep. My good friends.

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Crazy Credits

At the end, neither a "The End" credit nor a cast list appears, only the title of the film once more ("The Diary of Anne Frank").

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Alternate Versions

Originally released at 170 minutes, then later cut and available only in 156-minutes version. Complete edition has been recently restored on video.

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Connections

Version of The Attic: The Hiding of Anne Frank (1988)

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Soundtracks

Hanukkah
(uncredited)
Traditional
Lyrics by Frances Goodrich and Albert Hackett

User Reviews

Hiding from Horror

The film The Diary of Anne Frank is not taken directly from her world famous diary, but it is rather an adaption of a play based on that diary. The play was written by Frances Goodrich and Albert Hackett and it ran on Broadway from 1955 to 1957 for 717 performances.

Three members of the original Broadway cast did their roles for the screen, Joseph Schildkraut, Lou Jacobi, and Gusti Huber. Joseph Schildkraut as Otto Frank is the backbone of the film, providing the moral authority in the cast. He's a teacher and a scholar and makes sure that even under these circumstances, the education of his daughters is not neglected. Gusti Huber is Mrs. Frank and Lou Jacobi is Mr. Van Daan.

The Van Daans and the Franks have been offered shelter in a third floor apartment that is kept secret by a hidden door in a factory owner. The owner Mr. Kraler played by Douglas Spencer is an anti-Nazi and has offered to keep these two Jewish families hidden for the duration of the war in Holland. For two years they live in that apartment and aside from radio news all they know of the outside world is that street in Amsterdam where the factory is located. Director George Stevens to keep the viewer from getting claustrophobic provides us with occasional shots of the outside street and canal. This film is the ultimate in cabin fever.

But it has to be so for the Van Daans and the Franks are hiding for their lives. It's a community of necessity that's created up in the third floor.

Young Millie Perkins does fine in the title role originated on Broadway by Susan Strassberg. She has an Audrey Hepburn like appeal, but never had the career Audrey certainly did. Her sister Margit is played by Diane Baker who's career was a bit more substantial. Two very normal average teenage girls, except that Anne has a talent for writing and observing.

The frightening thing about this film is the very ordinariness of the characters. What have these people ever done that the might of the Nazi war machine should be out looking for them? Some of them are certainly not noble specimens as the movie shows, but their lives are so humdrum like millions of us. Simply because for politics sake, someone was scapegoating a religion.

Ed Wynn as Drussel the dentist and Shelley Winters as Mrs. Van Daan were nominated for supporting players in the male and female categories that year. Wynn lost, but Winters won the first of her two Oscars for this film. Up to then Ms. Winters played some pretty brassy characters in film. She fought for and won this role and got acclaim worldwide for her portrayal as a wife and mother. It was a transition into those kind of roles for her.

So Anne observed and wrote about her impressions of what she saw and heard and the people around her for two years. In a sense this is like Moby Dick with the Pequod being the apartment and the white whale being the Nazis. Joseph Schildkraut is no Ahab, he's just trying to lead his community for survival.

When the Nazis come, Anne's diary is hidden and after the war one of the community comes back and like Ishmael retrieves the diary and very much tells the tale.

Anne's diary, the hopes and dreams of a teenage girl caught up in a world of hate she couldn't comprehend, is now classic literature. It serves as a dark reminder of the bestial nature we can sink to. And it reminds us that hope, courage and love can spring from the darkest places.