An alien agent from the distant planet Davana is sent to Earth via a high-tech matter transporter. There, he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
Walter Paisley, nerdy busboy at a Bohemian café, is jealous of the talent (and popularity) of its various artistic regulars. But after accidentally killing his landlady's cat and covering the body in plaster to hide the evidence, he is acclaimed as a brilliant sculptor - but his new-found friends want to see more of his work. Lacking any artistic talent whatsoever, Walter has to resort to similar methods to produce new work, and soon people start mysteriously disappearing...Written by
Michael Brooke <firstname.lastname@example.org>
When we see Walter's dish rack in the background, there is no pan for the blood. In the next shot, there is a big pan on the dish rack that Walter uses for Lou's dripping blood. See more »
I saw a statue once. It was called, "the third time Phyllis saw me, she exploded."
Man, what kind of statue was that?
I dunno, it was made out of driftwood and dipped in fluoric acid. Very wild.
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"But if you'd have shot me, you'd be moppin' up my blood now."
A Bucket of Blood is a nice little Corman horror film. It plays better than many of his other non-Poe, non-Price films. It's the story of a "backwards" busboy in a beatnik dive trying to fit in by becoming an artist. His creations are the talk of the joint. But just how is the seemingly talentless busboy able to create such realistic images of death?
Dick Miller plays the busboy in one of the few feature roles I remember seeing him in. The mix of emotions he imbibes into his character is a highlight of the film. At one moment he's confused, the next a raving lunatic. Corman kept the screenplay simple and it works. I've seen too many low budget directors try to creative effects, etc. that their budgets just do not allow. Corman doesn't do this. This one is definitely recommended to fans of the 50s quickie horror films.
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