Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge.Written by
Matthias Scheler <firstname.lastname@example.org>
The city of Jerusalem set took up 10 square blocks. Altogether, the production used about 40,000 cubic feet of lumber, more than a million pounds of plaster, and 250 miles of metal tubing. See more »
A character refers to the Roman Emperor as "The Divine Tiberius." Although Tiberius was never deified in life (it was a posthumous honour), he claimed descent from the Roman deities Jupiter and Venus, so he was "divine" in that sense. Tiberius' successor Caligula claimed in his madness to be all gods at once, and Caligula's successor Claudius I was the first of the office to be formally deified during his lifetime. See more »
Sextus, you ask how to fight an idea. Well I'll tell you how... with another idea!
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The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
One older VHS release has a fade to black in between the opening credits and the scene after that. The original version has a dissolve transition. See more »
With the attention span of a bumblebee, moreso the current generation than the earlier ones, because of exposure to mobile devices and other modern disposable non-repairable tech.
It is probably for that reason that epics like this one have become forgotten over time. Even the late CH has become more a societal joke and less of an icon over time. Michael Moore made Heston's participation in the NRA a joke. (If Heston's concerns over where society is headed prove to be true, the final joke may be on Moore.) Back to the film. It is almost perfect. Then, as now. The script continually builds. Modern writers could learn from that. No matter what is presently on screen as you watch, the inevitability of the final climax beckons.
The acting is perfect.
The mixture of myth and drama is perfect.
True the Roman dialog did not benefit from the verbal tricks that Stephen McKnight used in Spartacus (bending the script to match the flow of actual Roman) but it is more than enough to entertain and entrance.
From the "accident" early in the film which starts the flow of events, to the chariot race WHICH HAS NEVER BEEN EQUALLED IN THE HISTORY OF FILM, to the reunion with lost family at the end, this is one of the most powerful and entertaining films of all time
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