Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
George Roy Hill
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge.Written by
Matthias Scheler <firstname.lastname@example.org>
The film implies that Jerusalem was the center of Roman administration in Judea. The Roman prefects who governed Judea made their headquarters in Caesarea Maritima, a much larger city than Jerusalem. Their visits to Jerusalem were infrequent. See more »
Oh, Judah, rest. Sleep. For a few hours of the night, let your mind be at peace.
Peace! Love and peace. Do you think I don't long for them as you do? Where do you see them?
If you had heard this man from Nazareth...
He is more than Balthasar's word. His voice traveled with such a still purpose... It was more than a voice... a man more than a man! He said, "Blessed are the merciful, for they shall obtain mercy. Blessed are the peacemakers, for they shall be called the...
[...] See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
One older VHS release has a fade to black in between the opening credits and the scene after that. The original version has a dissolve transition. See more »
It's hard to deny that William Wyler's lavish version of "Ben-Hur" is sometimes a bit overdone, but it nevertheless remains an entertaining and worthwhile classic. The material does justify the big-budget approach, since the story contains several interesting themes as well as plenty of action sequences. While some parts could have been stream-lined with little loss, in order to make the movie as a whole flow more smoothly, in general the film as it is keeps a good balance between action and substance. There are some very good dramatic moments in addition to the action highlights.
Charlton Heston is well-cast as Ben-Hur, a role that plays right to his strengths. The strained relations between Ben-Hur and Messala provide one set of themes for the story, as well as driving much of the action. Heston handles his end of it pretty well, although Stephen Boyd could have been a little less static in his portrayal of Messala. Jack Hawkins works very well as Quintus Arrius, and his scenes with Heston are used well in establishing some of the inner workings of Heston's character. Hugh Griffith also has a couple of good scenes as Sheik Ilderim.
The chariot race and other action sequences usually get most of the attention, but there are also some worthwhile ideas in the story (which are really the focus of the original novel) that are developed well enough. There is also a very good silent movie version of "Ben-Hur" from 1925, which at times takes a different approach from this version, and which is well worth seeing in itself for those who like the story.
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