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Ben-Hur (1959)

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When a Jewish prince is betrayed and sent into slavery by a Roman friend, he regains his freedom and comes back for revenge.

Director:

William Wyler

Writers:

Lew Wallace (novel) (as General Lew Wallace), Karl Tunberg (screenplay)
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Popularity
2,268 ( 84)
Top Rated Movies #215 | Won 11 Oscars. Another 18 wins & 16 nominations. See more awards »

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Cast

Complete credited cast:
Charlton Heston ... Judah Ben-Hur
Jack Hawkins ... Quintus Arrius
Haya Harareet ... Esther
Stephen Boyd ... Messala
Hugh Griffith ... Sheik Ilderim
Martha Scott ... Miriam
Cathy O'Donnell ... Tirzah
Sam Jaffe ... Simonides
Finlay Currie ... Balthasar / Narrator
Frank Thring ... Pontius Pilate
Terence Longdon ... Drusus
George Relph George Relph ... Tiberius Caesar
André Morell ... Sextus
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Storyline

Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by Matthias Scheler <tron@lyssa.owl.de>

Plot Summary | Plot Synopsis

Taglines:

The World's Most Honored Motion Picture See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 January 1960 (Brazil) See more »

Also Known As:

William Wyler's Ben-Hur See more »

Filming Locations:

Anzio, Italy See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$241,792, 14 April 2019

Gross USA:

$74,422,622

Cumulative Worldwide Gross:

$74,427,638
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1970) | (1962) | (1993 re-release) | (DVD) | (2005 DVD)

Sound Mix:

6-Track Stereo (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.66 : 1
See full technical specs »
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Did You Know?

Trivia

William Wyler used to joke that it took "a Jew to make a good film about Jesus." See more »

Goofs

In the film chariot drivers use 2 reins to control the horses but according to historical records they used 8. See more »

Quotes

Messala: Judah, either you help me or you oppose me, you have no other choice. You're either for me or against me!
Judah Ben-Hur: If that is the choice, then I am against you.
See more »

Crazy Credits

The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »

Alternate Versions

One older VHS release has a fade to black in between the opening credits and the scene after that. The original version has a dissolve transition. See more »

Connections

Referenced in Alternate Title Design: Nick Livesey (2005) See more »

Soundtracks

Fanfare To Prelude / Prelude / Marcia Romana
Composed and Conducted by Miklós Rózsa
See more »

Frequently Asked Questions

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User Reviews

 
pretty much sets the bar for epic entertainment
10 March 2015 | by A_Different_DrummerSee all my reviews

We are by nature a cynical and critical group.

With the attention span of a bumblebee, moreso the current generation than the earlier ones, because of exposure to mobile devices and other modern disposable non-repairable tech.

It is probably for that reason that epics like this one have become forgotten over time. Even the late CH has become more a societal joke and less of an icon over time. Michael Moore made Heston's participation in the NRA a joke. (If Heston's concerns over where society is headed prove to be true, the final joke may be on Moore.) Back to the film. It is almost perfect. Then, as now. The script continually builds. Modern writers could learn from that. No matter what is presently on screen as you watch, the inevitability of the final climax beckons.

The acting is perfect.

The mixture of myth and drama is perfect.

True the Roman dialog did not benefit from the verbal tricks that Stephen McKnight used in Spartacus (bending the script to match the flow of actual Roman) but it is more than enough to entertain and entrance.

From the "accident" early in the film which starts the flow of events, to the chariot race WHICH HAS NEVER BEEN EQUALLED IN THE HISTORY OF FILM, to the reunion with lost family at the end, this is one of the most powerful and entertaining films of all time


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