After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge.Written by
Matthias Scheler <email@example.com>
The chariot arena was built by more than 1,000 workers beginning in January 1958, according to some reports. It was 2,000 feet long by 65 feet wide and covered 18 acres, the largest single set in motion picture history to that time. Reputedly, 40,000 tons of white sand were imported from Mexico for the track. See more »
Valerius Gratus and Pontius Pilate are referred to in the film as governors of Judea. At the time the film takes place, Judea was not a senatorial province and thus did not have a governor. Gratus and Pilate were prefects who reported to the Roman governor of the province of Syria. See more »
[Tiberius Caesar sees Judah Ben-Hur, in Arrius' chariot]
This man riding beside you, who is he?
The man who saved me, divine Emperor, to return and serve you.
Is that all you know of him?
No. He was accused of an attack on the governor of Judea. But he was innocent.
If not, there is a strange inconsistency in this man, who tries to kill my governor, yet saves the life of my Consul. Come tomorrow, and we will talk of him.
See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
One older VHS release has a fade to black in between the opening credits and the scene after that. The original version has a dissolve transition. See more »
When I first saw 'Ben Hur' I was 8 years old and hadn't seen many films, since we were hardly ever allowed to watch television. Imagine what an impact this film had on me (my movie diet had so far consisted of Chaplin and Disney films - which, of course, is not at all a bad thing).
The experience was simply mesmerizing. Awe and wonder filled me as I watched this story of shocking betrayal, revenge and forgiveness unfold on screen - and by the time the heart-stopping chariot race was over, my fate as a future movie addict was sealed.
Despite its 212 minutes running time, this is storytelling at its finest that knows how to entertain; as we follow Judah Ben-Hur's dramatic journey from Jerusalem to Rome and back again, the film just never lets up and immerses you completely.
It's hard to imagine anything more cinematic, especially at the time: if ever there was an epic that was meant to be seen on the big screen in all its bombastic glory, it's Ben Hur. And even now, after I've seen the film many, many times, I feel like this story has a certain sense of greatness to it that is touching (and I don't mean that in a religious sense).
My verdict: this film was and is nothing like the many "sandal and sword" or bible films of that era; it is (at least to me) the ultimate film epic. With its touching story and fantastic action sequences - which I think hold up amazingly well - Ben Hur is among the milestones of its era and part of film history.