Bill Gibson is Little Joe's nemesis and is one of the men who can testify that he saw the labor boss in an incriminating conversation with a known criminal - something that Little Joe ... See full summary »
Charles F. Haas
Mamie Van Doren
A tough kid comes to a new high school and begins muscling his way into the drug scene. As he moves his way up the ladder, a schoolteacher tries to reform him, his aunt tries to seduce him,... See full summary »
John Drew Barrymore
Collins College needs a new department head for their science department. Doctors Carter and Zorch consult Thinko, the campus computer, and come up with Dr. Mathilda West, who has degrees ... See full summary »
Mamie Van Doren,
Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »
Eva Marie Saint,
Sisters Jane and Penny are arrested for hitchhiking on their way to Los Angeles when they stop for a quick skinny-dip in a rural town. Local agricultural magnate Tropp is a sponsor for a ... See full summary »
The bosses of the prostitution racket have one of their prostitutes go to New York City to entrap a police officer and get him thrown off the force. She does as she is told but then the gangsters make a mistake.
Edward L. Cahn
Mamie Van Doren,
Rider Kelly Cobb travels to county rodeos to win money so he can buy a patch of land he wants to call his own. He rescues trick rider Jackie Adams from the clutches of an amorous sports ... See full summary »
Howard W. Koch
Mamie Van Doren,
Soon after, we learn that Hess is a serial rapist at large in Los Angeles. His modus operandi is to gain entry to the home of a married woman whose husband is away by pretending to be there to repay money loaned by the husband. Once inside, he feigns a headache, pulls out a tin of aspirin, and asks the woman for water. While she is distracted by this errand, he sneaks up behinds her, and then assaults and rapes her. He leaves the tin of aspirin behind as his calling card, leading the police to call him "The Aspirin Kid." Leaving the scene of the first assault portrayed in the film, he is nearly hit by a car. The driver, who is a police detective named Culloran (Steve Cochran), gives him a lift, and the two engage in conversation. The rapist calls himself Arthur Garret, and as the two talk, he learns that Culloran is married, and sees his address on an envelope on the car seat. After getting out of Culloran's car, he writes down the name and address, and the word "married," ...Written by
The wild, weird, world of the Beatniks! ...Sullen rebels, defiant chicks...searching for a life of their own! The pads...the jazz...the dives... those frantic "way-out" parties... beyond belief! See more »
Set in the late fifties, this is a tale of misguided youths, music, sex, crime, beer and police. There's a crafty script with modern dialogue and social statements. The beatniks make for a easy frame and alibi for a psychotic rapist hell bent on revenge to all women and square father-like men.
Here's the catch, some parts of the film are very campy and gimmicky, but the writing is very good, and intelligent. Mattheson wrote this, not his usual Horror like I Am Legend, Hell House, or Stir Of Echoes. In fact, Jack Kerouac the Beat writer was quite dismayed at the use of the title in a negative way.
Behind the facade of crime there is a real police story and the inner-conflict between the cops, criminals, and victims are portrayed. Beautiful women both submissive and dominant mask the ugliness of both male characters cop and criminal. At the end we are not sure which side wins out. Beat Generation?
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