During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
In the far and distant future of 1968, many ships and planes are crossing the North pole to transport passengers and cargo. However lately more than eight ships and seven submarines have vanished mysteriously. The Tigershark is sent out to investigate their whereabouts and - if possible - remove the cause of their disappearance. But the life form Commander Vandover and his crew encounter may be too powerful even for their weapons of newest technology...Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
This was one of the Allied Artists releases for which a special version was prepared for U.S. television syndication. The film would start with an introductory scroll followed a scene from the movie and then the opening title/credits. See more »
A series of unexplained maritime disasters (no, not necessarily this film) prompts the US Government to dispatch its latest and greatest atomic sub to investigate and, if possible, neutralize whatever it finds - in this case, a malevolent monocular alien and his (it's?) living UFO. The cast consists of the usual characters: a hard-nosed, two-fisted manly man Executive Officer (played by Arthur Franz), the level-headed Captain (played by the barely seen Dick Foran), and the vaguely condescending scientist Sir Ian Hunt (played by the for-once-in-his-life-sober Tom Conway). Rounding out the crew are: the crusty CPO, a couple of UDT frogmen (you just KNOW they're gonna get snuffed), a wonderfully discombobulated Sid Melton (a part he plays SO well), a snivelling antiwar oceanographer, and the jaw-droppingly gorgeous girlfriend/flavor-of-the-week (played with impeccable style and subtlety by Joi Lansing, last of the Hollywood Blonde Bombshells. Awright: so who cares if she can't act?). Plotwise, the movie is very similar to "Voyage to the Bottom of the Sea", except it's shot in glorious black and white, with cheap sets, not-so-special effects, hambone acting, and models that, while very imaginative, look like models. Some of the dialogue is pretty shaky too, especially the exchange between Franz and the colossal, one-eyed alien. Still, this movie has a certain quaint quality about it, and remains one of our favorites. It's one of those "At least it's better than. . ." films. Better than what? Well, "Santa Claus Conquers The Martians", for one; "Murdercycle", for another. Bottom line: it's a good rainy Saturday popcorn movie.
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