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Anatomy of a Murder (1959)

Not Rated | | Crime, Drama, Mystery | September 1959 (Austria)
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In a murder trial, the defendant says he suffered temporary insanity after the victim raped his wife. What is the truth, and will he win his case?

Director:

Otto Preminger

Writers:

Wendell Mayes (screenplay), John D. Voelker (based on the novel by) (as Robert Traver)
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Nominated for 7 Oscars. Another 9 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Stewart ... Paul Biegler
Lee Remick ... Laura Manion
Ben Gazzara ... Lt. Frederick Manion
Arthur O'Connell ... Parnell Emmett McCarthy
Eve Arden ... Maida Rutledge
Kathryn Grant ... Mary Pilant
George C. Scott ... Claude Dancer
Orson Bean ... Dr. Matthew Smith
Russ Brown Russ Brown ... George Lemon
Murray Hamilton ... Alphonse Paquette
Brooks West ... Dist. Atty. Mitch Lodwick
Ken Lynch ... Det. Sgt. James Durgo
John Qualen ... Deputy Sheriff Sulo
Howard McNear ... Dr. Dompierre
Alexander Campbell ... Dr. W. Gregory Harcourt
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Storyline

Frederick Manion (Ben Gazzara), a lieutenant in the army, is arrested for the murder of a bartender, Barney Quill. He claims, in his defense, that the victim had raped and beaten up his wife Laura (Lee Remick). Although Laura supports her husband's story, the police surgeon can find no evidence that she has been raped. Manion is defended by Paul Biegler (James Stewart), a humble small-town lawyer and recently deposed district attorney. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and also that his wife has a reputation for flirting with other men. Biegler realizes that the prosecution will try to make the court believe that Laura had been drunk and was picked up by the bartender and then Her husband killed him and beat her up when he discovered they had been together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, tries to find evidence that will save Manion. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

No search of human emotions has ever probed so deeply, so truthfully as ... Anatomy of a Murder. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

September 1959 (Austria) See more »

Also Known As:

Anatomie eines Mordes See more »

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Box Office

Gross USA:

$11,900,000
See more on IMDbPro »

Company Credits

Production Co:

Otto Preminger Films See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Otto Preminger sued Columbia Pictures and its TV subsidiary Screen Gems when it sold this film in a package of 60 films to television for $10 million. In New York, ABC interrupted the 160-minute film 13 times with 36 commercials. Preminger was furious that his film was being mutilated and took them to court in a highly publicized case. He lost. See more »

Goofs

When the jury returns to court following the first session an extra trips up the stairs behind Paul Biegler. See more »

Quotes

Parnell Emmett McCarthy: Gin!... I knew there was something wrong with that guy. I never met a gin drinker yet that you could trust
See more »

Connections

Referenced in The Partridge Family: Anatomy of a Tonsil (1971) See more »

Frequently Asked Questions

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User Reviews

Intense, Dramatic, Well Crafted Suspense...
6 August 1999 | by Cari-8See all my reviews

Well filmed, beautifully acted, and painstakingly directed, this film deserves the highest praise.

James Stewart brings his customary stammering, quirky charm to a role that could have easily become overwhelmingly serious. Lee Remick is seen establishing her early image as the somehow fragile, undeniably seductive pawn (see also "A Face in The Crowd"), while Gazzara wavers intensely somewhere between heartless murderer and protective husband. The supporting cast is strong, creating a human backdrop for the senior players, keeping the story in the real world, effectively preventing this from becoming an exercise in legal theory.

This film is noteworthy for a myriad of reasons, but most specifically because it addresses the still controversial issue of acquaintance rape, and presents us with a victim of questionable morals. At the same time our murder victim is seen as a monster, then a friend and father. There really are no heroes here, no noble defenders, no pristine heroines, no completely innocent bystanders...both sides take their turns pointing fingers, each claiming that the other only got what they deserved.

We are forced to re-evaluate our thoughts on what constitutes justifiable homicide--the unwritten law that Manion speaks of in the film versus the law as written that Biegler must now interpret. This manipulation of intended meaning sets a somewhat tragic precedent evident in the legal system we work within today.

This film is highly entertaining, and excellent for discussion. Watch it with some of your more philosophical friends.


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