Dan travels to New Orleans to help a compulsive gambler rein in her addiction and avoid jail time. A murder attempt with three likely suspects keeps Dan busy in the Big Easy, visiting gambling joints...
Johnny Midnight (Edmond O'Brien) is an ex-actor/theater owner, now turned private eye. His turf is Broadway and New York City's theater district. He lives in a penthouse apartment above the... See full synopsis »
Based on actual cases from the San Francisco Police files, Lt. Guthrie and Inspector Grebb work as a team to track down criminals. In the last season Inspectors Delaney and Summers are ... See full summary »
The Man Called X was Agent Ken Thurston who took on dangerous cases in a variety of exotic locations. He was sent all around the world by the Intelligence Bureau to gather information and protect U.S interests. His code name is simply X.
A late entry in the television Western boom of the late 1950s. Shotgun Slade was unlike other show heroes. He wasn't a Marshal, Sheriff, or gunfighter for hire, but Slade was a private ... See full summary »
Agent Jim Hardie shifts over its history from being mostly an Agent helping Wells Fargo cope with bad guys, to being the owner of a ranch near San Francisco, California, who still does some... See full summary »
Rod Cameron makes a believably rugged hero in this excellent detective series. The stories are tough, smart, and fast, packing a lot of plot, and a lot of plot twists, into efficient, engaging half-hours. With episode titles like "Three's a Shroud" and "A Bookie's Not a Bibliophile", the whole show could have come from the pages of Manhunt magazine, or Black Mask. Fans of vintage detective fiction will know that's a compliment. A frequent director is William Witney, who had directed many of the best movie serials, so you know he could deliver action on a budget. Stunt doubles are often a bit obvious in fight scenes, but that's typical of the period, and not that distracting. Location work is a big plus, not only around San Diego, but as far afield as New Orleans. It would appear that only Cameron and a camera crew got to go to some locations, with dialogue scenes done back at the studio, but still, it adds to the visual texture of the show. One episode has an extended sequence filmed on the roof of the iconic Hotel Del Coronado, predating the film "The Stunt Man" by 20 years.
This show won't change anyone's life, but it does exactly what it's supposed to do, and holds its own against any other detective show. My wife and I only wish there were more than 39 episodes.
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