Einar and Eric are two Viking half-brothers. The former is a great warrior whilst the other is an ex-slave, but neither knows the true identity of the other. When the throne of Northumbria in Britain becomes free for the taking, the two brothers compete against one another for the prize, but they have very different motives - both involving the princess Morgana, however.Written by
Graeme Roy <firstname.lastname@example.org>
The three Viking ships in the film were designed using blueprints for an actual Viking ship salvaged from the water and restored by a Viking museum in Norway. It turned out that the boats built for the film were too accurate, because the modern actors were taller than their historical counterparts. Every other oar hole had to be plugged so the modern men would have room to row with a full oar stroke. Otherwise, they would hit the backs of the oarsmen seated in front of them when pushing the oar handles forward to start each new stroke. See more »
In the early scene where the viking ship is first returning to the village a shot from the front of the viking boat (from the camera boat in front) clearly reveals the camera boat's wake trailing behind - but in front of the viking ship. See more »
The Vikings, in Europe of the 8th and 9th century, were dedicated to a pagan god of war, Odin. Trapped by the confines of their barren ice-bound northlands, they exploited their skill as shipbuilders to spread a reign of terror, then unequaled in violence and brutality in all the records of history.
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Opening credits prologue: PROTECT US OH LORD FROM THE WRATH OF THE NORTHMEN See more »
When originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1993 when the film was granted a 'PG' certificate for home video. See more »
Call me a fool, but I feel strongly that the Richard Fleischer/ Kirk Douglas 1958 film THE VIKINGS is a waiting-to-be-rediscovered masterpiece.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
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