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Vertigo (1958)

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A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.

Director:

Alfred Hitchcock

Writers:

Alec Coppel (screenplay by), Samuel A. Taylor (screenplay by) (as Samuel Taylor) | 2 more credits »
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Popularity
1,340 ( 279)
Top Rated Movies #89 | Nominated for 2 Oscars. Another 8 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
James Stewart ... John 'Scottie' Ferguson
Kim Novak ... Madeleine Elster / Judy Barton
Barbara Bel Geddes ... Midge Wood
Tom Helmore ... Gavin Elster
Henry Jones ... Coroner
Raymond Bailey ... Scottie's Doctor
Ellen Corby ... Manager of McKittrick Hotel
Konstantin Shayne ... Pop Leibel
Lee Patrick ... Car Owner Mistaken for Madeleine
Edit

Storyline

John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia, and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, as he believes she has been possessed by a dead ancestor who committed suicide. Scottie is skeptical, but agrees to the assignment after he sees the beautiful Madeleine. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

The most intense SUSPENSE.....EXCITEMENT....EMOTION ever generated by a motion picture! See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 May 1958 (UK) See more »

Also Known As:

Darkling I Listen See more »

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Box Office

Budget:

$2,479,000 (estimated)

Opening Weekend USA:

$252,880, 18 March 2018

Gross USA:

$7,705,225

Cumulative Worldwide Gross:

$7,779,797
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1996 restored)

Sound Mix:

Mono (Westrex Recording System)| DTS (70 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.50 : 1
See full technical specs »
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Did You Know?

Trivia

Sir Alfred Hitchcock hired Maxwell Anderson to write the first draft of the screenplay titled "Darkling I Listen" but it was rejected by Hitchcock. See more »

Goofs

When the manager of the McKittrick Hotel is walking Scottie to Madeleine's room, the door is cracked open. A close-up shows the door closed and the manager proceeds to open it. See more »

Quotes

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.
See more »

Crazy Credits

The opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor. See more »

Alternate Versions

The version shown by AMC on 11/29/2013 contains the original VistaVision soundtrack. See more »

Connections

Referenced in The Ministry of Time: Con el tiempo en los talones (2017) See more »

Soundtracks

Sardis #4
(uncredited)
(Forever Female), from Skylark (1941) (Poochie)
Composed by Victor Young
Orchestrated by Gus Levene
Played as 'cue 12D' by the orchestra while Scottie and Judy are dancing
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Classic is a Classic
14 December 2017 | by yocarlosvarelaprSee all my reviews

There are no accidents here. Next year, in a few weeks, Vertigo will be 60 years old and it will celebrate it on top of the list of The Greatest Films Ever Made overtaking Citizen Kane and many other masterpieces. Why? Maybe when a filmmaker of Hitchcock's greatness taps into his own unconscious and reveals himself. By now we know enough about Hitchcock the man to know he was obsessed in finding that woman who'll look and behave just the way he wants and once he find them, they are destroyed to then embark on a quest to replace or duplicate her. Vera Miles was suppose to be the object of James Stewart's obsession and she opted for motherhood instead. Kim Novak replaced her and her coldness and detachment worked beautifully here. Barbara Bel Geddes the real woman who loves him he doesn't even notice, his focus is in the impossible.The magic touch in Vertigo is truly Bernard Herrmann. Try to see Vertigo without the score. No, don't. This classic is a marriage of images and music. A thriller with an uncomfortable truth at its very center. A personal truth from its filmmaker. I don't know if Vertigo will still be the number 1 in the list a hundred years from now, I will never know but I suspect that it will always be among the top.


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