John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia, and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, as he believes she has been possessed by a dead ancestor who committed suicide. Scottie is skeptical, but agrees to the assignment after he sees the beautiful Madeleine.Written by
The McKittrick hotel exterior shots were filmed at the abandoned Portman Mansion at 1007 Gough Street in San Francisco. It was demolished in 1959. See more »
During the opening scene when Scottie hangs onto the rain gutter, the tiling of the roof top he slid down changes from flat wooden tiling to half-cylindrical brick tiling when the police officer returns to try save Scottie. Close-up shots of the police officer show half-cylindrical brick tiling, whilst the medium shots with the officer and Scottie hanging on, show flat wooden tiling. See more »
The opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor. See more »
An entirely new audio track was created for the 1996 re-release using modern recordings and mixed in DTS surround sound. New elements not present in the original film were added and several important details (such as creaky roof tiles) were omitted. This was the version used on all subsequent theatrical re-issues, home video releases and television broadcasts until 2012, when Universal made a DTS soundtrack retaining the original sound effects. See more »
One of the many things that made Hitchcock such a great director is that he did not just stick to the same formula time after time; all of his best movies have their own unique feel and characteristics. "Vertigo" is particularly distinctive, both as a complex story filled with suspense, and as a fascinating study in psychological tension. While it lacks the humor of some of Hitchcock's other masterpieces, and sometimes moves rather slowly, it is unforgettable, and a great achievement by the director and his cast.
If you have never seen it, you will enjoy it more if you do not know too much about the plot, although the actual story is somewhat secondary to the ways that the characters are tested and their weaknesses exposed by the various events. Hitchcock uses a complicated story, interesting characters, lavish visual detail, and deliberate pacing, plus a fine musical score by the incomparable Bernard Hermann, to produce a mysterious, almost unearthly, atmosphere. The tension rarely lets up, and the viewer is caught up completely in it, at times almost to the point of discomfort. It's the kind of film that repays careful attention, as almost every moment is filled with significant detail.
There are also some great acting performances. Jimmy Stewart is outstanding in a role far different from his usual screen persona. He enables the viewer to sympathize completely with him, even as we cringe at many of his character's actions and decisions. Kim Novak is completely convincing in a difficult dual role, and the movie would not have been as compelling without her fine performance. The rest of the cast all have much smaller roles, but are all quite good too, especially Barbara Bel Geddes as Scottie's (Stewart's) old friend, who provides important insight into Scottie's character.
"Vertigo" is a classic by any standard. It's a must-see that remains just as impressive with each viewing.
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