A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, he believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.Written by
Saul Bass designed the titles/poster for both "Anatomy" and "Vertigo" in 1958/1959. The image of the body is very similar in both. See more »
Both times the main characters drive to the old mission, the wide shots show them driving on the right side of the road. However, all shots inside the car show them driving on the left side of the road. This is because the US 101 - where filming took place - near San Juan Bautista is split, with two lanes in each direction, by a grove of Eucalyptus trees. The film shows only one of the road's directions, giving the appearance that Scottie and Madeleine are driving on the wrong side of the road. See more »
There are no accidents here. Next year, in a few weeks, Vertigo will be 60 years old and it will celebrate it on top of the list of The Greatest Films Ever Made overtaking Citizen Kane and many other masterpieces. Why? Maybe when a filmmaker of Hitchcock's greatness taps into his own unconscious and reveals himself. By now we know enough about Hitchcock the man to know he was obsessed in finding that woman who'll look and behave just the way he wants and once he find them, they are destroyed to then embark on a quest to replace or duplicate her. Vera Miles was suppose to be the object of James Stewart's obsession and she opted for motherhood instead. Kim Novak replaced her and her coldness and detachment worked beautifully here. Barbara Bel Geddes the real woman who loves him he doesn't even notice, his focus is in the impossible.The magic touch in Vertigo is truly Bernard Herrmann. Try to see Vertigo without the score. No, don't. This classic is a marriage of images and music. A thriller with an uncomfortable truth at its very center. A personal truth from its filmmaker. I don't know if Vertigo will still be the number 1 in the list a hundred years from now, I will never know but I suspect that it will always be among the top.
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