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Vertigo (1958)

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A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.

Director:

Alfred Hitchcock

Writers:

Alec Coppel (screenplay by), Samuel A. Taylor (screenplay by) (as Samuel Taylor) | 2 more credits »
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Popularity
1,386 ( 123)
Top Rated Movies #76 | Nominated for 2 Oscars. Another 8 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
James Stewart ... John 'Scottie' Ferguson
Kim Novak ... Madeleine Elster / Judy Barton
Barbara Bel Geddes ... Midge Wood
Tom Helmore ... Gavin Elster
Henry Jones ... Coroner
Raymond Bailey ... Scottie's Doctor
Ellen Corby ... Manager of McKittrick Hotel
Konstantin Shayne ... Pop Leibel
Lee Patrick ... Car Owner Mistaken for Madeleine
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Storyline

John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia, and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, as he believes she has been possessed by a dead ancestor who committed suicide. Scottie is skeptical, but agrees to the assignment after he sees the beautiful Madeleine. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

A Mystery Revised... A Master Remembered! (1996 Restored Film Premiere) See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 July 1958 (Brazil) See more »

Also Known As:

Darkling I Listen See more »

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Box Office

Budget:

$2,479,000 (estimated)

Opening Weekend USA:

$10,783, 30 October 1983, Limited Release

Gross USA:

$3,200,000

Cumulative Worldwide Gross:

$25,000,000, 31 January 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1996 restored)

Sound Mix:

Mono (Westrex Recording System)| DTS (70 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.50 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the American Film Institute's 1998 list of the Top 100 Greatest American Movies. See more »

Goofs

As Judy packs to run away, the breast sections on Madeleine's gray suit in her closet are popped out in one shot and pushed in in another. See more »

Quotes

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.
See more »

Crazy Credits

The opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor. See more »

Alternate Versions

The version shown by AMC on 11/29/2013 contains the original VistaVision soundtrack. See more »

Connections

Referenced in Chinatown (1974) See more »

Soundtracks

Sardis #4
(uncredited)
(Forever Female), from Skylark (1941) (Poochie)
Composed by Victor Young
Orchestrated by Gus Levene
Played as 'cue 12D' by the orchestra while Scottie and Judy are dancing
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Standard Rave

Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since.

The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly.

"To reveal more," as Leonard Maltin wrote, "would be unthinkable."

While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat!

One of the all-time greats. They definitely don't make them like this anymore.


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