American couple Janet and Mike move to England for his business. She soon becomes paranoid that he is having an affair with his attractive secretary, and decides to get back at him by pretending she herself has been unfaithful.
Russ Ward, after 30 years of producing Broadway plays, is ready to quit. His secretary, Ellie Brown, on being given notice, tells him she loves him. Russ proceeds to turn this into a hit ... See full summary »
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
Mike Hamilton, a Philadelphia lawyer, comes to Naples to settle the estate of his long estranged "black sheep" brother. Once there, he discovers that the deceased has left an eight-year old... See full summary »
Vittorio De Sica
James Gannon, the hardboiled city editor of a newspaper, believes that the only way to learn the business is by way of the School of Hard Knocks, and has a very low regard for college-taught journalism, so he's not pleased when his managing editor orders him to help Erica Stone, a college professor, with her journalism class. Finding himself attracted to her, he pretends to be a student in her class, not revealing he's Gannon, whom she despises. As they bob and weave around their mutual growing attraction, they both begin to gain respect for each other's approaches to reporting news, but how will Erica react when she finds out who he really is?Written by
Ed Sutton <firstname.lastname@example.org>
Gig Young's fingers became so sore while practising his bongo drum routine that he had to have special sponge padding taped to each finger. See more »
In the news article on a shooting which Gannon writes in class (and Stone reads aloud), Gannon fails to attribute any "facts" in the article and labels Solas as "shooter" (not the alleged shooter). These are lapses in fundamental rules of journalism made by an experienced major newspaper editor and not corrected by a journalism school instructor. Stone calls it one of the best articles ever submitted in her classes, when she should have demanded a rewrite or given it a failing grade. See more »
One of the best comedies ever, which the critics overlooked, of course. There are many witty one-liners:
"Education teaches a man how to spell experience...A psychologist is a person who gives all kinds of advice about matters he knows nothing about...A reporter has to do a lot of sweating before he has the right to perspire...There goes the unpressed gentleman of the press...College is amateurs teaching amateurs how to be amateurs...".
Some scenes are incredibly risqué. Gable bluntly asks Doris "How do you feel about sex?" He repeatedly ogles, grabs and kisses her. Today he would be in trouble for it.
Ah, the good old days of real honest to goodness movie-making! This is a truly priceless comedy. I have seen it five times, and can see it five more times. When the screenplay is good, everyone is inspired. Doris is absolutely brilliant, a genius of timing. This lady is way too underrated. There is NO ONE like her. She even sings the thrilling song to perfection. The plot does have its unintentionally funny aspects: Doris preferring uncouth elderly Gable to dashing and debonaire young intellectual Gig Young - and what's more, Young not minding it!!! The plot would have been better if Gable had been politely rejected. There is an unfortunate tendency in too many movies to assume that even the homeliest and oldest man deserves a young woman, that women over 35 couldn't possibly delight any real man. The movie is also a trifle pedantic and conventional in idolizing college education, as if a degree were all that. There is a serious message to the movie, but one enjoys the comedy more.
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