Will Handy grows up in Memphis with his preacher father and his Aunt Hagar. His father intends for him to use his musical gifts only in church, but he can't stay away from the music of the ...
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The man called Obam struggles with the increasingly hostile forces facing each other in a colonial African country. The African natives want their land and lives back from the British ... See full summary »
In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
Will Handy grows up in Memphis with his preacher father and his Aunt Hagar. His father intends for him to use his musical gifts only in church, but he can't stay away from the music of the streets and workers. After he writes a theme song for a local politician, Gogo, a speakeasy singer, convinces Will to be her accompanist. Will is estranged from his father for many years while he writes and publishes many blues songs. At last the family is reunited when Gogo brings them to New York to see Will's music played by a symphony orchestra.Written by
Lisa Grable <firstname.lastname@example.org>
Although uncredited, conductor of the finale C. Bakaleinikoff is billed on the poster outside the concert hall. See more »
Early in film, a man tells Handy to meet him "at the corner of Beale and Jackson at 4:00" to give him a job. Beale Street and Jackson Avenue do not intersect. Jackson is not straight, but it's more than a mile between them at their closest point. See more »
A terrific cast, which depicted Southern Black religious traditions and values versus changing times for true opportunity (in the early days). It's a heartfelt movie suitable for the entire family, and should be a suggested viewing in school (if not already).
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