The story of W. C. Handy, the undisputed father of the blues.The story of W. C. Handy, the undisputed father of the blues.The story of W. C. Handy, the undisputed father of the blues.
C. Bakaleinikoff
- New York Symphony Conductor
- (uncredited)
Bill Baldwin
- Attorney Mawson
- (uncredited)
Milas G. Clark Jr.
- Boy
- (uncredited)
Walt Davis
- Usher
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaW.C. Handy's first successful composition was "Memphis Blues" but, because the producers couldn't obtain the rights to the song, his first successful song was presented in the film as being "Yellow Dog Blues", actually written several years later, after Handy had established himself.
- GoofsEarly in film, a man tells Handy to meet him "at the corner of Beale and Jackson at 4:00" to give him a job. Beale Street and Jackson Avenue do not intersect. Jackson is not straight, but it's more than a mile between them at their closest point.
- Quotes
Gogo Germaine: That's right, Reverend. Stick to your guns. You stick to them because, after all, prejudice is a time saver.
Rev. Charles Handy: I... I beg your pardon?
Gogo Germaine: Well, a busy man like you: You can form an opinion without wasting time bothering about facts.
- ConnectionsFeatured in Afro Promo (1997)
Featured review
As long as the great old films are not on home video, we have to search far and long for the elusive cable broadcasts. Well I was pleasantly surprised to see this one air yesterday on Turner Classic Movies. A film that completely reversed the procedure so well known at MGM: keeping actors of color out of the plot of a film so as not to offend the patrons (and sponsors)of Southern movie theaters. Paramount Pictures took such a gamble in 1958 with this biopic of turn-of-the-century blues composer W. C. Handy, son of a rather rigid preacher man, whose musical gifts are repeatedly deflated and discouraged by said father (who believes such progressive music is only the work of shiftless sinners). The big surprise in this film is the warm, sensitive, and totally subdued performances of the majority of the film's lead cast: Nat 'King' Cole as the quiet Handy, Ruby Dee as his patient, waiting-in-the wings fiancée', and Eartha Kitt as a sassy and ambitious nightclub singer. Even Kitt's character- which would normally be presented as a two-dimensional 'bad girl' caricature, shows some interesting depth as she quietly champions Handy's blues and jazz compositions to be seen by a larger, more commercial, audience. The Alan Reisner direction often leans towards the melodramatic, and veterans Cab Calloway and Pearl Bailey aren't given much to do, but the film soars very nicely as a complete movie. Two honorable mentions must be made however, in the names of Mahalia Jackson- whose gorgeous voice can be heard several times in the church scenes as a choir mistress, and Ella Fitzgerald (perhaps my favorite solo singer of all time) who is featured in a *true* cameo appearance singing a single torch song in a nightclub which Handy happens by one evening. It makes one yearn for more early chances like this one, and makes me especially happy that these performers are archived- even in this small capacity- on motion picture film.
- movibuf1962
- Sep 4, 2006
- Permalink
Details
- Runtime1 hour 45 minutes
- Color
- Aspect ratio
- 1.85 : 1
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