During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.Written by
Dale O'Connor <firstname.lastname@example.org>
Partially restores the song "Loneliness of Evening", which had been deleted from the stage version before opening in New York. The lyrics turn up in the form of a poem sent by Emile de Becque to Nellie Forbush (the full song was used in the 2001 television version of South Pacific (2001), produced by ABC). The song was also used in the second TV production of Richard Rodgers and Oscar Hammerstein II's Cinderella (1965), sung by Stuart Damon as the Prince. See more »
While singing "I'm Gonna Wash That Man Right Outta My Hair", the soap on Nellie Forbush's shoulders disappears and come back. See more »
Lt. Buzz Adams:
You gotta do something to break the monotony out here, Lieutenant. You know, if this war ever really gets started ...
[as if he knew something that Buzz Adams does not]
It'll get started.
Lt. Buzz Adams:
[taken by surprise]
Sure - sure, it'll get started.
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There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
The 1999 DVD contains some scenes where the color filters are either more subtle or completely removed compared to previous versions. However, the filters were reinstated for the 2006 DVD and 2009 Blu-Ray. See more »
This film is due to be re-released in 70MM for limited engagements next year. A new restored DVD is also being prepared by Twentieth Century Fox Home Entertainment which includes scenes that were cut back in 1958. Somebody commented recently about the fact that "lap-dissolves" were used between many scenes in this film and this person obviously felt that this was some kind of fault. This was a common editing technique utilized in the past and was used usually to signify the passage of time. It is rarely used these days and obviously that person has not encountered this technique before and has assumed that it is a fault, but this is not the case.
I am curious to know if the new transfer will feature the Broadway continuity(the Emile-Nellie Plantation scene before the "Bloody Mary" scene)? I hope it is an anamorphic transfer?
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