During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.Written by
Dale O'Connor <firstname.lastname@example.org>
According to some sources, Mary Martin did not play Nellie Forbush in the movie because Ezio Pinza, who had portrayed Emile de Becque on the stage, had already died and the producers considered it to be a hopeless task to find anybody who could match her in the movie. Other sources say that, at 45 years of age, Martin was too old for the role by the time the film was made. Mitzi Gaynor was eventually cast in the role. See more »
Liat does not understand English. But when her mother sings "Happy Talk," in English, she shows by her gestures that she understands what her mother is singing. See more »
[referring to racial prejudice]
This is something that's born in me!
See more »
There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
The general release version omits references to the wide-screen process Todd-AO, Technicolor (a credit for DeLuxe is shown instead), and the original distributor Magna (replaced by a 20th Century-Fox credit). See more »
This is my favorite R&H musical and I play the original Broadway s/t frequently because I love Pinza.
I agree with an earlier poster who commented that Mary Martin was much too old and earthy for the young innocent Nellie. Mitzi Gayner was perfect. I also love the different hues for the singing. It does give the movie a different feel to it.
Of all the R&H musicals, this one was the best to transfer to the screen (with exception of King and I). Too bad they can't find a complete reel of the latter movie.
And my favorite song from the show/movie is This Nearly Was Mine, a heartbreaking song if there ever was one. Pinza breaks my heart on the OBC recording. Tozzi is good, too, but Pinza is the peak.
And R&H were pressured to drop You've Got to be Carefully Taught and they refused. The racial prejudice runs right through the picture without hitting you over the head with it and it was way ahead of its time. But then the book was written by James Michener who had an Asian wife and who knew about prejudice.
I love this movie -- still!
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