Dave Hirsch, a writer and an army veteran winds up in his small Indiana hometown, to the dismay of his respectable older brother. He meets and befriends various different characters and tries to figure out what to do with his life.
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her nightclub. Her employees use their female ... See full summary »
In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar and easy woman with whom he spent his last night in Chicago that has fallen in love with him. The resentful Dave meets his older brother Frank Hirsh, who owns a jewelry store and is a prominent citizen of Parkman that invites him to have dinner with his family. Dave meets his sister-in-law Agnes that hates him since one character of his novel had been visibly inspired on her, and his teenage niece Dawn. Frank introduces the school teacher Gwen French to him and Dave feels attracted by the beautiful woman that is daughter of his former Professor Robert Haven French and idolizes his work as writer. However, his unrequited love with Gwen drives Dave back to the local bar where he befriends the professional gambler Bama Dillert and meets Ginnie again with the Chicago's mobster Raymond Lanchak that was ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The house of the movie received more letters from fans than the actors; this from all over the world. See more »
When Dave is driving Bama home from the hospital, he gets out of the car and Bama slides over to the driver's seat. Dave asks if he'll be alright driving with one hand. Bama takes the wheel with his injured arm instead of his right arm. See more »
[in the hospital]
How would you feel with strangers bopping in here day and night, turnin' you over, feeling under the covers. Boy, they sure get familiar around here in a hurry.
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Typical Minnelli masterpiece, as melodramatic, emotional and stylised as his more famous musicals. Lumpen James Jones novel stripped to the bone, its macho posturings shifted to anatomy of a society. Slow, repetitive narrative mirrors stagnation of such a society. Impotence, disease and writer's block all part of a wider malaise. The psychological visuals are unsurpassed, gaudy, intense floods of light, colour and composition disrupt superficial politeness. Climax one of the greatest in American cinema; the three male leads do the most difficult work of their careers. Shirley MacLaine gets hard deal, though.
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