In 1976, a young woman in Krakow is making her diploma film, looking behind the scenes at the life of a 1950s bricklayer, Birkut, who was briefly a proletariat hero, at how that heroism was... See full summary »
At the turn of the century, Lodz, Poland was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Three young friends, a ... See full summary »
A worker becomes a "man of iron" forged by experience, a son comes to terms with his father, a couple fall in love, a reporter searches for courage, and a nation undergoes historic change. ... See full summary »
Two sketches covering episodes from the World War II. In the first novel, "Scherzo alla polacca", a shrewd son, trying to preserve his skin, ultimately becomes a hero and finds a reason for... See full summary »
A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love. But he loses her when he goes ... See full summary »
Maciek, a young Resistance fighter, is ordered to kill Szczuka, a Communist district leader, on the last day of World War II. Though killing has been easy for him in the past, Szczuka was a fellow soldier, and Maciek must decide whether to follow his orders.Written by
Kevin Dorner <email@example.com>
It is the favorite film of acclaimed director, Francis Ford Coppola. See more »
Majek is shot in the back while running away from military, but in the following scenes his wounds are only in his chest and not in his back. See more »
So often, are you as a blazing torch with flames/ of burning rags falling about you flaming, /you know not if flames bring freedom or death. /Consuming all that you must cherish /if ashes only will be left, and want Chaos and tempest...
...Or will the ashes hold the glory of a starlike diamond... /The Morning Star of everlasting triumph.
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The post-war years were a difficult time for much of Eastern Europe, and ended with that region being plunged into dictatorship; so in many ways, it's surprising to see a film about that era (made under the communists) whose heroes are a pair of anti-communist assassins. One might more accurately say "anti-heroes", but the truth is, Andrzej Wajda's film is a critically sympathetic account of the motives on those on all sides in the conflict. Also marking this film out as modern is the dry script and mordant humour; while a big improvement over Wajda's previous movie, 'Kanal' (which had a horrible score) is the clever use of background music as orchestration. Some things do remind you that this film is (by now) almost fifty years old: not all the acting reaches contemporary standards. Still, it's as good a movie as was made in the 1950s, and all the more telling for its relative proximity to the events it displays.
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