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IMDbPro

Tuhkaa ja timanttia

Original title: Popiól i diament
  • 19581958
  • K-16K-16
  • 1h 43m
IMDb RATING
7.8/10
12K
YOUR RATING
Zbigniew Cybulski and Ewa Krzyzewska in Tuhkaa ja timanttia (1958)
DramaRomanceWar
As WWII and the German occupation ends, the Polish resistance and the Russian forces turn on each other in an attempt to take over leadership in Communist Poland.As WWII and the German occupation ends, the Polish resistance and the Russian forces turn on each other in an attempt to take over leadership in Communist Poland.As WWII and the German occupation ends, the Polish resistance and the Russian forces turn on each other in an attempt to take over leadership in Communist Poland.
IMDb RATING
7.8/10
12K
YOUR RATING
  • Director
    • Andrzej Wajda
  • Writers
    • Jerzy Andrzejewski(novel)
    • Andrzej Wajda(screenplay)
  • Stars
    • Zbigniew Cybulski
    • Ewa Krzyzewska
    • Waclaw Zastrzezynski
  • Director
    • Andrzej Wajda
  • Writers
    • Jerzy Andrzejewski(novel)
    • Andrzej Wajda(screenplay)
  • Stars
    • Zbigniew Cybulski
    • Ewa Krzyzewska
    • Waclaw Zastrzezynski
  • See production, box office & company info
    • 56User reviews
    • 75Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Nominated for 2 BAFTA Awards
      • 1 win & 2 nominations total

    Photos141

    Tuhkaa ja timanttia (1958)
    Tuhkaa ja timanttia (1958)
    Tuhkaa ja timanttia (1958)
    Tuhkaa ja timanttia (1958)
    Zbigniew Cybulski and Ewa Krzyzewska in Tuhkaa ja timanttia (1958)
    Tuhkaa ja timanttia (1958)
    Zbigniew Cybulski in Tuhkaa ja timanttia (1958)
    Tuhkaa ja timanttia (1958)
    Zbigniew Cybulski in Tuhkaa ja timanttia (1958)
    Jan Ciecierski in Tuhkaa ja timanttia (1958)
    Zbigniew Cybulski in Tuhkaa ja timanttia (1958)
    Zbigniew Cybulski in Tuhkaa ja timanttia (1958)

    Top cast

    Edit
    Zbigniew Cybulski
    Zbigniew Cybulski
    • Maciek Chelmicki
    Ewa Krzyzewska
    Ewa Krzyzewska
    • Krystyna
    Waclaw Zastrzezynski
    Waclaw Zastrzezynski
    • Szczuka
    Adam Pawlikowski
    Adam Pawlikowski
    • Andrzej
    Bogumil Kobiela
    Bogumil Kobiela
    • Drewnowski
    Jan Ciecierski
    Jan Ciecierski
    • Portier
    Stanislaw Milski
    Stanislaw Milski
    • Pieniazek
    Artur Mlodnicki
    Artur Mlodnicki
    • Kotowicz
    Halina Kwiatkowska
    Halina Kwiatkowska
    • Staniewiczowa
    Ignacy Machowski
    Ignacy Machowski
    • Waga
    Zbigniew Skowronski
    Zbigniew Skowronski
    • Slomka
    Barbara Krafftówna
    Barbara Krafftówna
    • Stefka
    • (as Barbara Kraftówna)
    Aleksander Sewruk
    Aleksander Sewruk
    • Swiecki
    Zofia Czerwinska
    Zofia Czerwinska
    • Barmaid Lili
    • (as Z. Czerwinska)
    Wiktor Grotowicz
    Wiktor Grotowicz
    • Franek Pawlicki
    • (as W. Grotowicz)
    Irena Orzecka
    Irena Orzecka
    • Jurgieluszka
    • (as I. Orzewska)
    Mieczyslaw Loza
    Mieczyslaw Loza
    • Smolarski
    • (as M. Loza)
    Halina Siekierko
    • Puciatycka
    • (as H. Siekierko)
    • Director
      • Andrzej Wajda
    • Writers
      • Jerzy Andrzejewski(novel) (screenplay)
      • Andrzej Wajda(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Citizen Kane (1941) - and Gregg Toland's cinematography in particular - was a huge influence on Andrzej Wajda at the time. Like Toland, the first thing the film's cinematographer Jerzy Wójcik did was convince production designer Roman Mann to include ceilings in all the sets.
    • Goofs
      Glasses of vodka are set alight which burn for an unnaturally long length of time and with a bigger flame than expected, suggesting a purer fuel was used in the film, such as petrol. Moreover, when the final flame dies (c.41 minutes) no liquid remains in the glass. Only the alcohol content is flammable in any glass of spirit and a residue of water would be left behind with even the very strongest of Polish vodkas.
    • Quotes

      Krystyna: Look. An old crypt. An inscription. "So often are you as a blazing torch with flames of burning hemp falling about you flaming, you know not if the flames bring freedom or death, consuming all that you most cherish. Will only ashes remain, and chaos whirling into the void." The letters are blurred. I can't read it.

      Maciek Chelmicki: It's by Norwid. "Or will the ashes hold the glory of a starlike diamond, the Morning Star of everlasting triumph."

      Krystyna: That's beautiful. "Or will the ashes hold the glory of a starlike diamond..." And what are we?

      Maciek Chelmicki: You - are definitely a diamond.

    • Connections
      Edited into CzechMate: In Search of Jirí Menzel (2018)
    • Soundtracks
      Czerwone maki
      (Red Poppies) (uncredited)

      Music by Alfred Schütz and lyrics by Feliks Konarski

      Performed by Grazyna Staniszewska

    User reviews56

    Review
    Review
    Featured review
    9/10
    An essential historical film and visual masterpiece
    "Ashes and Diamonds" is both an essential historical film and a visual masterpiece. Set in the first days of Soviet occupation following World War II, the film examines the moral dilemmas of the protagonist, Maciek--a young rebel hit-man-- in following through with the assassination of a leading communist party member--Sczcuka--who will soon be empowered as a means of forming a puppet communist government in Poland. The film is not limited to the perspective of the protagonist, and alternates between the moral dilemmas of each of the characters in fulfilling predetermined Soviet agendas in the formation of a communist Poland.

    The visual composition of the film is as masterful as the complexity of the characters and plot. Despite the notoriously bad film technology in the Soviet states and the constraints of Socialist Realism, the film manages not only to capture the potential richness of black and white, but also manages to avoid the standard pitfalls of over-zealous editing that often destroy other contemporary Soviet films. The frames are longer shots in general, and forced schematization through editing is all but absent. The precise composition of each scene throughout the film provides the visual coherency that would otherwise be imposed by careful editing; as an example, see the scene in which Maciek is underneath the staircase in the lobby of the hotel towards the end of the film, or the final "Polish" dance scene.

    I would highly recommend some research into the political transitions of Poland in the years directly following WWI before viewing this film for the first time; this film was made for a particular audience who clearly understood certain cultural and historical references that a modern Western audience will inevitably miss (ie. "Were you in Warsaw?"). The thematic and emotional complexity of the film is also enhanced by an understanding of Polish history. I would highly recommend this film for any class examining Eastern Europe or Soviet Russia (which is the context in which I was introduced to this film in particular), or to anyone who would like to better understand the complexity of Cold War politics from a perspective behind the Iron Curtain.
    helpful•55
    7
    • jmurphy-11
    • Oct 17, 2005

    Details

    Edit
    • Release date
      • February 5, 1960 (Finland)
    • Country of origin
      • Poland
    • Language
      • Polish
    • Also known as
      • Aska och diamant
    • Filming locations
      • Wroclaw, Dolnoslaskie, Poland
    • Production company
      • Studio Filmowe Kadr
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • PLN 6,070,000 (estimated)
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 43 minutes
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.66 : 1

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