| Cast overview, first billed only: | |||
| Gregory Walcott | ... | Jeff Trent | |
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Mona McKinnon | ... | Paula Trent |
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Duke Moore | ... | Lt. Harper |
| Tom Keene | ... | Col. Edwards | |
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Carl Anthony | ... | Patrolman Larry |
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Paul Marco | ... | Patrolman Kelton |
| Tor Johnson | ... | Inspector Clay | |
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Dudley Manlove | ... | Eros |
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Joanna Lee | ... | Tanna |
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John Breckinridge | ... | Ruler |
| Lyle Talbot | ... | Gen. Roberts | |
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David De Mering | ... | Danny |
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Norma McCarty | ... | Edith |
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Bill Ash | ... | Captain |
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Lynn Lemon | ... | Reverend (as Reverend Lynn Lemon) |
In California, an old man (Bela Lugosi) grieves the loss of his wife (Vampira) and on the next day he also dies. However, the space soldier Eros and her mate Tanna use an electric device to resurrect them both and the strong Inspector Clay (Tor Johnson) that was murdered by the couple. Their intention is not to conquer Earth but to stop mankind from developing the powerful bomb "Solobonite" that would threaten the universe. When the population of Hollywood and Washington DC sees flying saucers on the sky, a colonel, a police lieutenant, a commercial pilot, his wife and a policeman try to stop the aliens. Written by Claudio Carvalho, Rio de Janeiro, Brazil
First of all, how could a film that has brought so much enjoyment to so many people be called "the worst film ever made"? I have seen major Hollywood products with major Hollywood stars and some of these films are impossible to sit through even once. "Dick Tracy" comes to mind, as does "Caligula." The very first time I saw "Plan 9" in a NYC revival house, just hearing Tor Johnson's struggle with English pronunciation and watching him wriggle out of the ground was worth the price of admission! It was probably the hardest I'd laughed in a movie theatre in many years. I don't know what kind of movie the actor who plays Eros thinks he's in, but he seems to be having a lot of fun. We all know that the comedy of the film was unintentional, then why do we laugh? We laugh because Mr. Wood does everything conceivable to mask his non-budget to give the illusion of a grand sci-fi-horror epic. And he does it with such unabashed gracelessness with so little concern for time continuity or any other kind of logic, that we laugh at just how absurd the medium of film can become, if used in incompetent hands. Ed Wood gives new meaning to the word "schlock." The cinematic legacy he has left to enjoy should be called "pop-schlock." If the point of the film is to ultimately entertain, this is one of the best films of all time, not the worst.