7.1/10
2,354
42 user 26 critic

Party Girl (1958)

Not Rated | | Crime, Drama, Film-Noir | 5 February 1959 (UK)
Lawyer Tommy Farrell is a defender of crooks. Vicki Gaye encourages him to go straight, but mob king Rico Angelo insists otherwise.

Director:

Nicholas Ray

Writers:

George Wells (screenplay), Leo Katcher (story)
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Cast

Complete credited cast:
Robert Taylor ... Tommy Farrell
Cyd Charisse ... Vicki Gaye
Lee J. Cobb ... Rico Angelo
John Ireland ... Louis Canetto
Kent Smith ... Jeffrey Stewart
Claire Kelly ... Genevieve Farrell
Corey Allen ... Cookie La Motte
Lewis Charles ... Danny Rimett
David Opatoshu ... Lou Forbes
Kem Dibbs Kem Dibbs ... Joey Vulner
Patrick McVey Patrick McVey ... Detective O'Malley
Barbara Lang ... Ginger D'Amour
Myrna Hansen Myrna Hansen ... Joy Hampton
Betty Utey Betty Utey ... Cindy Consuelo
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Storyline

Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gaye. She makes him decide to get a better reputation. But mob king Rico Angelo *insists* that he continues his services. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Lowdown on the Girls Who Get Around...in Chicago! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

5 February 1959 (UK) See more »

Also Known As:

Party Girl - Das Mädchen aus der Unterwelt See more »

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Box Office

Budget:

$1,758,000 (estimated)

Gross USA:

$1,130,000, 31 December 1958

Cumulative Worldwide Gross:

$2,380,000, 31 December 1958
See more on IMDbPro »

Company Credits

Production Co:

Euterpe See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Director Nicholas Ray was certainly impressed with Robert Taylor's commitment. "He worked for me like a true Method actor," said Ray, who remembered Taylor going to an osteologist, poring over X-rays and asking probing questions so that he would have an understanding of where in his body the pain would be from his character's crippled leg. See more »

Goofs

When Tommy Farrell is in court defending Louis Canetto, he speaks to the jury and repeatedly addresses them as "Gentlemen," although he is standing right in front of a female juror. See more »

Quotes

Louis Canetto: Hi ya, puss. Coat room's in the bedroom.
See more »

Crazy Credits

Opening credits prologue: Chicago In The Early Thirties See more »


Soundtracks

Party Girl
Music by Nicholas Brodszky
Lyrics by Sammy Cahn
Performed by Tony Martin (uncredited)
See more »

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User Reviews

 
I know a girl a girl called Party, Party Girl.
2 April 2010 | by SpikeopathSee all my reviews

Crippled Lawyer Thomas Farrell (Robert Taylor) has made a career defending crooks in trials, so much so he's now the front line defender for the Chicago mob. But into his life comes dancer Vicki Gayle (Cyd Charisse), who as he starts to fall in love with her, makes him see that his life is worth so much more than that. However, mob king Rico Angelo (Lee J. Cobb) is keen to retain Farrell's services, at any price it seems.

There's no getting away from it, Party Girl (a euphemism for a prostitute) features a very standard formulaic plot. It's also a very misleading title in that it doesn't scream out this is a crime picture. Directed by Nicholas Ray for MGM (his last for one of the big hitting studios), it's adapted by George Wells from a story by Leo Katcher. Supporting the three principal actors are John Ireland & Kent Smith. Robert J. Bronner (Jailhouse Rock) provides photography and the film is a CinemaScope/Metrocolor production.

Set as it is in prohibition Chicago, it allows Ray to rise above its simple formula and blend his knack for visual touches with interesting characterisations. If we really are going to cement this in the film noir genre? Then it's more down to the director than anything in the story. Yes there's themes such as alienation, vulnerability and the core essence potential for tragi-love-born out of two characters stuck in differing forms of prostitution. But the script is so weak it needed Ray to put an almost surreal sheen over it. There's exotic dancing featuring prominently, some what a given with the weak Charisse starring (in fairness to her it's one hell of a cliché riddled role), but again Ray crafts in such a way it doesn't let the film feel too sprightly. Something that this lush production is in danger of being at times. Yet line those dance numbers alongside scenes such as a portrait of Jean Harlow being shot to pieces, or of Charisse being questioned by a policeman's Silhouette; and you get an oddity. But a very enjoyable one.

This was Taylor's last contract film for MGM, and fittingly it's one of his very best performances. Again one tends to think this is probably down to Ray's coaxing, but regardless, Taylor plays Farrell with vulnerable elegance and a steely eyed determination that carries Charisse along with him. Thus the romance is believable, and yes, engaging. Cobb does another in his long line of larger than life characters. Chewing the scenery as much as his Rico character chews on his cigars. While Ireland is a by the numbers thug for hire and Kent Smith a talking prop. There's a fleeting performance from Corey Allen as baby faced psychopath Cookie La Motte, a character that the film could have definitely done with more of. Here's the main problem with Party Girl, it's just not edgy or dangerous enough. Which in a film involving gangsters, murders and crooked court cases, is an issue is it not? But thanks to Ray and Taylor the film overcomes its many flaws to wind up being a very enjoyable crime-love story based picture. But film noir? Well that's debatable really. But lets not get into that... 7/10


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