Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are ... See full summary »
Jim Fletcher, waking up from a coma, finds he is to be given a court martial for treason and charged with informing on fellow inmates in a Japanese prison camp during WWII. Escaping from ... See full summary »
Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gaye. She makes him decide to get a better reputation. But mob king Rico Angelo *insists* that he continues his services.Written by
This film did well at the box office, earning MGM a profit of $454,000 ($3.83M in 2017) according to studio records. This film pulled in a higher gross overseas than in the USA and Canada, a rare event for the time. See more »
When the two men are gunned down running after the train, the sub-machine gun in the foreground is clearly not pointed at the pair. See more »
Cookie ain't a punk anymore. Him and me, we kinda merged. He takes care of the southern part of the state. I operate here. But, right now, the reason I want you to meet him, Cookie's in kind of a jam.
See more »
Opening credits prologue: Chicago In The Early Thirties See more »
Quite possibly Nicholas Ray's most visually eloquent film, the poorly- named Party Girl focuses not on the Cyd Charisse titular character but her romantic interest, mob lawyer Tom Farrell, played with great intensity and dedication by Robert Taylor.
Charisse is even more luminous than usual thanks in part to the mesmerizing lighting and camera work utilized by Ray in two major dance numbers obviously included to showcase MGM's most talented dancer. However, Ray was also able to elicit a rather touching albeit somewhat unrealistic performance from Charisse in playing a lonely showgirl drawn to Taylor's disfigured lawyer trapped in the world of defending known criminals.
Such a story had been done before many different ways, yet under Ray's direction the film achieves a certain sense of nobility and appreciation. It is not flashy, but not boring either. It is, as much of Ray's work was at the time, workman-like and beautifully crafted. Compared to much of the other features released at the time, Ray's films stand out today as rising above the material he was given to work with.
3 of 3 people found this review helpful.
Was this review helpful to you?
| Report this