Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gaye. She makes him decide to get a better reputation. But mob king Rico Angelo *insists* that he continues his services.Written by
Angie Dickinson and Doris Dowling were both considered for the part eventually played by Claire Kelly. See more »
When Vicki smacks Canetto in the face with a hairbrush, he grabs his face in pain but there are no marks left behind. When he walks outside the door, suddenly his lip is bleeding profusely where it hadn't been a second ago. See more »
A girl's entitled to what she can get. When you sell your pride, its tough to put a price on it.
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Opening credits prologue: Chicago In The Early Thirties See more »
Quite possibly Nicholas Ray's most visually eloquent film, the poorly- named Party Girl focuses not on the Cyd Charisse titular character but her romantic interest, mob lawyer Tom Farrell, played with great intensity and dedication by Robert Taylor.
Charisse is even more luminous than usual thanks in part to the mesmerizing lighting and camera work utilized by Ray in two major dance numbers obviously included to showcase MGM's most talented dancer. However, Ray was also able to elicit a rather touching albeit somewhat unrealistic performance from Charisse in playing a lonely showgirl drawn to Taylor's disfigured lawyer trapped in the world of defending known criminals.
Such a story had been done before many different ways, yet under Ray's direction the film achieves a certain sense of nobility and appreciation. It is not flashy, but not boring either. It is, as much of Ray's work was at the time, workman-like and beautifully crafted. Compared to much of the other features released at the time, Ray's films stand out today as rising above the material he was given to work with.
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