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Brink of Life (1958)

Nära livet (original title)
Not Rated | | Drama | 31 March 1958 (Sweden)
Three women in a maternity ward reveal their lives and intimate thoughts to each other while in a maternity ward together, where they face the choice of keeping their babies or offering them for adoption.

Director:

Ingmar Bergman

Writer:

Ulla Isaksson (screenplay)
Reviews
3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Eva Dahlbeck ... Stina Andersson
Ingrid Thulin ... Cecilia Ellius
Bibi Andersson ... Hjördis Petterson
Barbro Hiort af Ornäs ... Nurse Brita
Erland Josephson ... Anders Ellius
Max von Sydow ... Harry Andersson
Gunnar Sjöberg ... Dr. Nordlander
Ann-Marie Gyllenspetz ... Counsellor Gran
Inga Landgré ... Greta Ellius
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Storyline

Three women in a maternity ward reveal their lives and intimate thoughts to each other while in a maternity ward together, where they face the choice of keeping their babies or offering them for adoption.

Plot Summary | Add Synopsis

Taglines:

INGMAR BERGMAN presents another startling and outstanding achievement in the film art...

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Sweden

Language:

Swedish

Release Date:

31 March 1958 (Sweden) See more »

Also Known As:

Brink of Life See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Kristina Cecilia Lindgren Ellius was born on March 20, 1930. See more »

Quotes

Cecilia Ellius: Mothers aren't always that way we think. They were young once, too, and can't have forgotten about it...
See more »

Connections

Featured in Bergman - ett år, ett liv (2018) See more »

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User Reviews

 
Life in death.
24 January 2017 | by sunheadbowedSee all my reviews

'Brink of Life' (aka. 'So Close to Life') is a gripping, fairly early minor work from quite possibly the most consistently rewarding film maker of emotional drama that ever lived.

Three women from very different worlds find themselves in the same maternity ward, confronting different dilemmas in the face of the human race's oldest routine.

While Bergman's films are almost always bleak portrayals of suffering and confrontation, his films also remind us that suffering can be as fleeting as happiness; despair can be replaced by strength, just as certified happiness can face unexpected disaster. There is a comfort in his sadness, a powerful reminder of existence, even when it hurts.

Bergman favourites are featured: the always incredible Ingrid Thulin shines, as does Bibi Andersson in the role of a confused and insecure young unmarried mother-to-be. Eva Dahlbeck perhaps steals the show with her portrayal of trauma.


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