Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, ... See full summary »
When a reporter claims that New York police are on the take letting the mob run its horse parlors at will, a shocked District Attorney Michael Norris decides to do something about it. Not ... See full summary »
Fed up with the inhumane prison living conditions, a general prison riot breaks out, leading to hostage-taking, a stand-off with the guards and eventual negotiations with the prison administration officials.
In San Francisco, two police inspectors are on the case when a rogue taxi driver, with the help of a rogue porter, manages to steal the suitcase of an antiques collector before running down a cop, whose dying gesture is to shoot the cabbie dead. The inspectors discover that a statuette in the suitcase contains heroin. Meanwhile, a psychopathic gangster, his malignant mentor and their dipsomaniac driver have the job of picking up the other heroin shipments, hidden in the luggage of unsuspecting travelers. All goes well until they attempt to retrieve the heroin stuffed in a Japanese doll. A little girl and her lovely young mother have the doll, but when the crooks take possession of it, they find that the heroin has mysteriously vanished.Written by
At the meeting with Staples, backing out of its berth is the S.S. Hunter Victory. Constructed in 1945 by Kaiser Shipbuilding in Richmond, California, it was one of 534 Victory-class cargo ships. Victory ships were larger and faster than the Liberty-class ships. This was one of 150 named after educational institutions, in this case Hunter College in New York City. In and out of mothballs several times, it participated in the Korean and Vietnam wars before finally being laid up at San Francisco in 1973 and scrapped in Taiwan in 1988. See more »
When searching the hotel room of the lady for the contents of the little girls doll and coming out of the bathroom, you can see the inside of the studio wall just above the shower wall. See more »
[Referring to Dancer]
I knew a guy like him once.
No, you didn't. There's never been a guy like Dancer. He's a wonderful, pure pathological study. He's a psychopath with no inhibitions.
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Lots of films have been shot in San Francisco, but few present as many views of the City By the Bay as this one. Here's what we see: Pier 41 and the Embarcadero, Coit Tower, The Ferry Building, The Cliff House, Sutro's Baths (after the closure of the swimming baths in 1954, but during the heyday of the skating rink that took one of the bath's place until 1966--this is probably the only motion picture featuring this rare sight), lots of neighbourhoods, and--to top it all off--a car chase on the then under construction Embarcadero Freeway (since torn down due to earthquake hazard)! Add in a truly exciting and relatively believable story of drug smuggling--certainly cutting edge stuff in 1958--and you have a great little film. Of particular note is Robert Keith (the sheriff in 1954's The Wild One) as one of the twisted criminals. Whenever co-villain Eli Wallach kills someone, Keith writes down the victim's 'final words' in his little black book. And in the some things never change department, Oakland's Lake Merritt is cited as the location of a taxi theft by one of the film's numerous junkies.
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