The Lineup (1958)

In San Francisco, a psychopathic gangster and his mentor retrieve heroin packages carried by unsuspecting travelers.

Director:

Don Siegel

Writer:

Stirling Silliphant

Stars:

Eli Wallach, Robert Keith, Richard Jaeckel

1 nomination.

Cast

Cast overview:
Eli Wallach	...	Dancer
Robert Keith	...	Julian
Richard Jaeckel	...	Sandy McLain
Mary LaRoche	...	Dorothy Bradshaw
William Leslie	...	Larry Warner
Emile Meyer	...	Insp. Al Quine
Marshall Reed	...	Insp. Fred Asher
Raymond Bailey	...	Philip Dressler
Vaughn Taylor	...	The Man
Cheryl Callaway	...	Cindy Bradshaw
Robert Bailey	...	Staples
Warner Anderson	...	Lt. Ben Guthrie

Storyline

In San Francisco, two police inspectors are on the case when a rogue taxi driver, with the help of a rogue porter, manages to steal the suitcase of an antiques collector before running down a cop, whose dying gesture is to shoot the cabbie dead. The inspectors discover that a statuette in the suitcase contains heroin. Meanwhile, a psychopathic gangster, his malignant mentor and their dipsomaniac driver have the job of picking up the other heroin shipments, hidden in the luggage of unsuspecting travelers. All goes well until they attempt to retrieve the heroin stuffed in a Japanese doll. A little girl and her lovely young mother have the doll, but when the crooks take possession of it, they find that the heroin has mysteriously vanished.

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Plot Keywords:

bagman | phone booth | line up | crime boss | assignment | 

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Taglines:

The Manhunt They Had To Put on the Giant-Sized Movie Theatre Screen!

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Genres:

Crime | Drama | Film-Noir

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

11 June 1958 (USA)

Also Known As:

Contrabando

Filming Locations:

Nob Hill, San Francisco, California, USA

Company Credits

Production Co:

Pajemer Productions

Technical Specs

Runtime:

86 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In the final scene, where the car nearly drives off the end of San Francisco's still-unfinished Embarcadero Freeway, the car was driven by stunt driver Guy Way. Way's wife was in the car with him; he had told her that he was just going to drive the car near the edge of the drop-off--which was about 100 feet--and then stop. What he didn't tell her was that he was actually supposed to accelerate to top speed then slam on the brakes in order to stop just inches from the precipice. Director Don Siegel in an interview recalled that when the shot was complete, Way's wife was so traumatized by the stunt that she had to be dragged from the car, kicking and screaming hysterically. In addition to the stunt, Way was briefly seen on film playing the cab driver who crashes on the Embarcadero at the beginning of the film.

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Goofs

In the scene where the passengers are disembarking the ship, Staples gives Dancer the address of the couple as "9020 Jackson." Dancer then relays it to his driver, McLain, as "2090 Jackson." McLain then drives to the correct house on 2090 Jackson Street, which was then being used as the headquarters of the California Historical Society.

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Quotes

Julian: Dancer is an addict, an addict with a real big habit.
Sandy McLain: 'H' like in heroin, uh?
Julian: 'H' like in hate.

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Connections

References 12 Angry Men (1957)

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Soundtracks

Polly Wolly Doodle
(uncredited)
Song first published Harvard student songbook in 1880.
Heard on calliope in museum

User Reviews

Beats Dragnet

Tightly scripted, excitingly staged, and brilliantly acted by Eli Wallach, this is a real sleeper. It could have been just another slice of thick-ear on the order of the Dragnet movie (1954). But thanks to writer Stirling Silliphant, director Don Siegel, and actor Wallach, The Lineup stands as one of the best crime films of the decade.

Someone in production made a key decision to shoot the film entirely on location in San Francisco, and rarely have locations been used more imaginatively then here, from dockside to Nob Hill to the streets and freeways, plus lively entertainment spots. The producers of 1968's Bullit must have viewed this little back-and-whiter several times over, especially the car chase.

Colorless detectives Warner Anderson and Emile Meyer (standing in for Tom Tully of the TV series of the same name) are chasing down psychopathic hit-man Wallach and mentor Robert Keith, who in turn are chasing down bags of smuggled narcotics. Dancer (Wallach) is simply chilling. You never know when that dead-pan stare will turn homicidal, even with little kids. Good thing his sidekick, the literary-inclined Julian (Keith), is there as a restraining force, otherwise the city might be seriously de-populated.

Cult director Siegel keeps things moving without let-up, and even the forces of law and order are kept from stalling the action. My favorite scene is where Dancer goes slowly bonkers at the uncooperative Japanese doll. Watch his restrained courtship manners with the lonely mother (Mary La Roche) come unraveled as he reverts to psychopathic form, while mother and daughter huddle in mounting panic at the man they so trustingly brought home. It's a riveting scene in a film filled with them.

The Line Up is another of those unheralded, minor gems that has stood the test of time, unlike so many of the big-budget cadavers of that year or any year.