Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet.
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about the only joint around not run by smarmy crook Maxie Fields who wants him for his own place. He gets on pretty well with Fields' floozy though, and all this plus his involvement with Fields' hoods and with innocent five-and-dime store assistant Nellie means Danny finds his world closing in on him all ways round.Written by
Co-star of the film Walter Matthau said after death of Elvis Presley this about him: ""He [Elvis Presley] was an instinctive actor...He was quite bright...he was very intelligent...He was not a punk. He was very elegant, sedate, and refined, and sophisticated." See more »
Character starts running twice because of editing mistake in the end of movie. See more »
Danny... We know you're in here. You come on out now, and you got a chance. You can't get away. Maxie's got the whole town covered!
[Shark flips out his switch-blade]
This is it, buddy! This is the big get-even day! We've got a lot to settle up, you and me. Danny, I knew it was your old man that night. I knew it, and I slugged him anyway, so you come on out and get me! You come out and get me, or we're coming in!
[...] See more »
I had an epiphany tonight. 'King Creole' is a better film than 'Jailhouse Rock'. 'Jailhouse' may contain King's best acting but 'King Creole' is his best film. Why? I would say King's acting is only slightly less convincing in 'Creole' but two things make it a better film: the cast and the story. 'King Creole' boasts the finest cast by far of any Presley film. Only Ann-Margret is sexier than Carolyn Jones, Vic Morrow has that ferocious mouth, Dean Jagger is almost perfect as the beaten father and Walter Matthau is deliciously vile. Harold Robbins' novel 'A Stone for Danny Fisher' is gritty and at times hard to read. Although the screenplay (co-written by 'Frankie Five-Angels', Michael V. Gazzo) is quite a bit more tame it is still tough. Think about it: King plays a character who kills a man in an alley with a switchblade. Here he is not 'Jailhouse Rock's amoral Vince Everett. Instead he is, at times, IMmoral. Forget all you think you know about the icon, Elvis Presley, and watch his eyes when, as Danny Fisher, he tells his father 'you go to school. I'm goin' out to make a buck'. If you don't see it, if you don't see IT, you're just not looking.
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