Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet.
After arriving back in Hawaii from the Army, Chad Gates (Elvis Presley) defies his parents' wishes for him to work at the family business and instead goes to work as a tour guide at his girlfriend's agency.
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about the only joint around not run by smarmy crook Maxie Fields who wants him for his own place. He gets on pretty well with Fields' floozy though, and all this plus his involvement with Fields' hoods and with innocent five-and-dime store assistant Nellie means Danny finds his world closing in on him all ways round.Written by
Urban legend claims that Carolyn Jones refused to kiss Elvis Presley while making King Creole (1958). In fact they smooch several times throughout the movie. The one time Jones shied away from locking lips with The King was during their final scene together, because she was suffering from the flu. She remembered, "I said 'Elvis, don't kiss me, you'll get sick'. He said, 'Don't worry about it'. He kissed me and immediately went away to the Army". See more »
In the beginning of the movie there is a scene where people on the street sing a song. In one part a woman is singing on the song, but the picture shows a male singer. See more »
You keep speaking of Danny having a profession. Singing is a profession. Well alright, so he's starting in the sewer. Sewers can't be ignored. They run under the best cities. And some of them lead to the fanciest plumbing at the Ritz.
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Adapted from the book "A Stone for Danny Fisher", Elvis Presley plays a rebellious kid with a wimp of a father (Dean Jagger) who quits school and takes up singing at a night club in New Orleans, only to get mixed up with a group of thugs (headed by Vic Morrow) and their crime boss (Walter Matthau). Elvis considered this melodrama his best film and I happen to agree. It's nicely photographed in noirish black and white and directed by Michael Curtiz, featuring Elvis' most cultivated performance. It's a good story too, complimented by good actors in their roles. Walter Matthau is ideal as Maxie the heavy, who practically owns the whole town. Carolyn Jones is properly pitiful as his pathetic tramp, and Vic Morrow does well as the lead hoodlum who caters to Matthau. The songs Presley sings fit nicely into the action and are pleasant, though I don't believe any of them were signature biggies for Presley outside of, possibly, "Hard Headed Woman," and "King Creole" itself. It's a real shame that the best hit rocker, "Hard Headed Woman," is really given a raw deal as we only get to hear the end of it within the movie. The best music performance is Elvis' rendition of "Trouble" as he dominates the nightclub stage with authority and toughness while fearlessly singing it at Maxie. *** out of ****
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