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Jalsaghar (1958)

Not Rated | | Drama, Music | 10 October 1958 (India)
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Depicts the end days of a decadent zamindar (landlord) in Bengal, and his efforts to uphold his family prestige even when faced with economic adversity.

Director:

Satyajit Ray

Writers:

Tarashankar Banerjee (based on the story by) (as Tarashankar Bandhopadhaya), Satyajit Ray (script) | 1 more credit »
Reviews
Top Rated Indian Movies #21 | 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Chhabi Biswas ... Huzur Biswambhar Roy
Rest of cast listed alphabetically:
Sardar Akhtar Sardar Akhtar ... Singer (as Begum Akhtar)
Gangapada Basu Gangapada Basu ... Mahim Ganguly
Bismillah Khan Bismillah Khan ... Musician
Salamat Ali Khan Salamat Ali Khan ... Khyal singer
Waheed Khan Waheed Khan ... Ustad Ujir Khan (as Ostad Wahed Khan)
Roshan Kumari ... Krishna Bai, dancer
Tulsi Lahiri Tulsi Lahiri ... Manager of Roy's Estate
Tarapada Nandy Tarapada Nandy
Padmadevi Padmadevi ... Mahamaya, Roy's wife (as Padma Devi)
Kali Sarkar Kali Sarkar ... Roy's Servant
Pinaki Sengupta ... Khoka, Roy's Son
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Storyline

Huzur Biswamghar Roy is a rich landowner who lives in a palace with his wife and son and his many servants. His passion - his wife would call it his addiction - is music and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. His wealth is in decline however. His lands are being eroded by the local river and he pays for the concert he arranges for his son's coming of age party by selling some of the family jewels. When his neighbor Ganguli invites him to a party at his house, Roy decides to one up him and organizes a lavish party for the same day - costing him the last of the jewels. After his wife and son are killed in a storm, Roy becomes something of a recluse, closing up the music room. Now, many years later he decides to have one final concert, spending the last of his money to again outdo - and spite - Ganguli. Written by garykmcd

Plot Summary | Plot Synopsis

Genres:

Drama | Music

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

YOUTUBE [India]

Country:

India

Language:

Bengali | English

Release Date:

10 October 1958 (India) See more »

Also Known As:

The Music Room See more »

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Box Office

Gross USA:

$94,886
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Huzur Biswambhar Roy: [laughing drunkenly, deriding the moneylender's son, Ganguly] He failed. He failed!
Huzur Biswambhar Roy: [now talking to his servant Ananta, who is refilling his glass with liquor] He couldn't do it. He couldn't do it! That moneylender's son! He wanted to be king of the mountain. What arrogance, huh? What arrogance! A dwarf reaching for the moon! He couldn't do it. You know why he failed?
Huzur Biswambhar Roy: [speaking directly to Ananta] Blood! The blood in my veins! You know whose blood flows in my veins? You want to see? Come...
Huzur Biswambhar Roy: [...]
See more »

Connections

Features Conversation with James Ivory (2010) See more »

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User Reviews

Bollywood movie?
1 December 2007 | by virg-8See all my reviews

Good heavens! This is about as far from Bollywood movies (cheesy musicals) as one could get. Jalsaghar is a poignant rendering of social transition at the personal level -- the indigent aristocrat whose delusive and self-destructive obsession with bringing his music room back to life shields him from the reality of his family's economic and social collapse, and indeed hastens it; the showy nouveau-riche neighbor who embodies the rise of a new social order based on economic achievement rather than aristocratic roots and inherited wealth. There are parallels to Chekhov and Faulkner (Snopeses and Sartorises). The black and white images (the white horse!) are stunning. I saw this film in the 1980s, and remember it more clearly than the movie I saw last night. It is truly a classic.


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