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11 user

In the Money (1958)

Approved | | Comedy | 16 February 1958 (USA)
Sach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a ... See full summary »

Director:

William Beaudine

Writers:

Al Martin (screenplay), Al Martin (story) | 1 more credit »
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Cast

Complete credited cast:
Huntz Hall ... Horace Debussy 'Sach' Jones
Stanley Clements ... Stanislaus 'Duke' Coveleskie
Patricia Donahue ... Babs DeWitt
Paul Cavanagh ... Inspector Herbert Saunders
David Gorcey ... Chuck
Eddie LeRoy ... Blinky
Leonard Penn ... Don Clarke
John Dodsworth John Dodsworth ... Blake Cummings
Rest of cast listed alphabetically:
Jack Mulhall ... (scenes deleted)
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Storyline

Sach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a cache of diamonds hidden in the poodle's coat. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Nutnicks on the Loose in old London! See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Did You Know?

Trivia

According to the hats the boys wear while working aboard ship, they are sailing on the "R.M.S. Steamship". See more »

Goofs

In the montage of London, Duke says, "Whaddaya know, London Bridge". What is actually shown is Westminster Bridge next to the Palace of Westminster (the Houses of Parliment) and Elizabeth Tower that houses Big Ben. See more »

Connections

Follows Smugglers' Cove (1948) See more »

Soundtracks

(Hail, Hail,) The Gang's All Here
(uncredited)
Music by Theodore Morse (as Theodore F. Morse) (1904) and Arthur Sullivan
Lyrics by Dolly Morse
Played during the opening credits
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User Reviews

Swan Song
23 April 2011 | by dougdoepkeSee all my reviews

Sach unknowingly dog-sits a diamond studded poodle for a gang of smugglers during a trans-Atlantic voyage.

It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.

I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.


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Details

Country:

USA

Language:

English

Release Date:

16 February 1958 (USA) See more »

Also Known As:

On the Take See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »

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