An American realtor living in England is dissatisfied with what he believes to be his humdrum life. One weekend while his wife is out of town, he gives a ride to a woman he sees stranded on... See full summary »
A small time thief is recruited by a mobster to help with the racketeering. He doesn't like the job, but with the mob on his back, a femme fatale in his bed and a sick friend to care for, he will have to keep all his wits about him.
When he is pulled up in court for selling stuff on the street, Horace Pope says he was only doing it while waiting to enlist. The judge calls his bluff and forces him to sign up. Pope makes... See full summary »
Joe "Tom" Yateley is an ex-convict. Trying to leave his past behind, he decides to start working for the Hawlett Trucking company, which transports gravel. It's an aggressive company, where speed is everything. Doing too few runs in a day? You're out. Red is the most experienced trucker. He can do eighteen runs in a day. Tom soon makes friends with Lucy, the secretary, and Gino, a driver. But the record of Red intrigues him and he wants to break it. Gino advises against it, but he helps Tom when he wants to go through with it. Soon trouble begins when Red and the other drivers form a united front against Tom. Just when Tom has enough and decides to pack his bags, Lucy tells him Gino had a terrible accident. She also tells about the corruption of Hawlett Trucking.Written by
Arnoud Tiele (firstname.lastname@example.org)
An oddball movie, a hybrid of (would be) Hollywood tough-guy melodrama and UK kitchen sink sensibility. And yes, starring Dr Who, The Prisoner, 007, Man from UNCLE and many more. Certainly the greatest cast of cult actors ever to appear together, well, ever. This movie is terrible and magnificent in equal measure. To me it is staggeringly watchable. The premise is seriously skewered yet endearing all the same: 1950s English truckdrivers behaving like 1850s American outlaws in a Never Never Land where trucks are allowed to habitually run at 80mph down country lanes without so much a peep from the plod.
McGoohan is a star turn here and Peggy Cummins makes for a surprisingly un-frigid lead (look, the UK film industry in the 1950s didn't do sexy -what do you mean Diana Dors? - proves my point!!). But the film belongs to Baker - brooding, smouldering, moral, vengeful, utterly magnificent. We don't make them like him, or like this any more.
36 of 38 people found this review helpful.
Was this review helpful to you?
| Report this