A young teenage girl (Tuesday Weld) desperately tries to earn enough money to buy a dress for a school rock and roll dance. This early rock and roll feature, the 3rd in a series of 5 ... See full summary »
Alan Freed and his Rock 'n Roll Band,
Orchestra manager Steve Hollis realizes that big-band music is dead. People want something new, but what? On their way to New York, Steve and his companion Corny, stop at a motel in a small... See full summary »
Fred F. Sears
Bill Haley and the Comets,
Ernie Freeman Combo
A teenager whose father is a millionaire radio station owner secretly records a song and plays it on one of his father's stations. It becomes a hit. Then he falls in love with a girl who ... See full summary »
Sisters Jane and Penny are arrested for hitchhiking on their way to Los Angeles when they stop for a quick skinny-dip in a rural town. Local agricultural magnate Tropp is a sponsor for a ... See full summary »
This is the fifth, and final motion picture to feature legendary disc jockey Alan Freed and his assortment of musical guests. With each film, Freed took a larger role. His acting is so wooden that Nelson Eddy looks like Olivier next to him! He was also the producer of this Hal Roach production and his role is central to the plot. Now Chuck Berry is a different story. Besides performing "Johnny Be Good", "Memphis, Tennessee", and "Little Queenie", Berry plays himself and is a major catalyst to the flimsy plot. He is absolutely natural and charming. Most of the plot belongs to singers Jimmy Clanton and Sandy Stewart. Their acting is surprisingly natural. Of course, Stewart is no rocker and is a little uncomfortable with some of the music. She was more in her element when she recorded the hit single "My Coloring Book". At least Freed spares us the embarrassment of his out of tune and out of time singing that we had to endure in "Rock, Rock, Rock". However, the plot never does resolve. It just stops.
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