Gigi (1958) - News Poster



Oscar Flashback: The eight films that struck out in the Big Five, including ‘Cat on a Hot Tin Roof,’ ‘American Hustle’

Oscar Flashback: The eight films that struck out in the Big Five, including ‘Cat on a Hot Tin Roof,’ ‘American Hustle’
This article marks Part 1 of the Gold Derby series reflecting on films that contended for the Big Five Oscars – Best Picture, Best Director, Best Actor, Best Actress and Best Screenplay (Original or Adapted). With “A Star Is Born” this year on the cusp of joining this exclusive group of Oscar favorites, join us as we look back at the 43 extraordinary pictures that earned Academy Awards nominations in each of the Big Five categories beginning with the eight that were shut out of these top races.

At the 31st Academy Awards ceremony, “Cat on a Hot Tin Roof” (1958) was well-positioned for Oscar glory. Critically acclaimed and commercially successful, the film adaptation of Tennessee Williams’ play was up in six categories, including the Big Five, plus Best Cinematography.

Instead of emerging victorious, however, the film found itself steamrolled over. It would lose Best Picture and Best Director (Richard Brooks) to the musical “Gigi” and its filmmaker,
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‘Colette’ Costumes Were Driven by an Obsession Over Details

  • Variety
‘Colette’ Costumes Were Driven by an Obsession Over Details
Costume designer Andrea Flesch assembled more than 50 outfits to define the title character in “Colette,” a film in which period costumes strongly support the story of avant-garde French novelist Sidonie-Gabrielle Colette, who lived from 1873 to 1954 and became identified with such issues as creative copyright ownership and women’s emancipation.

The film, directed by Wash Westmoreland (“Still Alice”), stars Keira Knightley as “Colette,” a girl from rural France who marries Willy, a sophisticated Parisian writer played by Dominic West. Bleecker Street will release the picture Sept. 21.

Flesch aimed to define Colette as she embarks on her journey from country to city and from suppressed ghostwriter to literary fame, perhaps most notably for the 1944 novella “Gigi,” on which the 1958 best picture Oscar winner is based. “From the beginning, Wash and I discussed our vision of the film,” she says. “What’s special in her character is that she always finds her way to be unique and modern.
See full article at Variety »

Colette | Review

Elle Époch: Westmoreland Recuperates a Literary Giant in Appealingly Frank Biopic

After winning the Sundance Grand Jury Prize for the 2005 breakout film Quinceañera, co-directors Wash Westmoreland and Richard Glatzer brought Julianne Moore to her Oscar win for 2014’s Still Alice. After the passing of Glatzer in 2015, Westmoreland went on to make his first solo directorial outing with Colette, a biopic of the iconic French literary giant starring Keira Knightley in turn-of-the-century Paris.

Arguably one of the most notable French literary figures, particularly from the nostalgia tinged Belle Époque era, Colette’s most notable works to English language speakers are those which were adapted into high profile films, such as the Best Picture Winner Gigi (1958) from Vincente Minnelli, or more recently, Stephen Frears’ collapsed mounting of her Cheri (2009) novels starring Michelle Pfeiffer.…
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10 Stars Who Just Need an Emmy to Egot, From Elton John to Stephen Sondheim (Photos)

  • The Wrap
10 Stars Who Just Need an Emmy to Egot, From Elton John to Stephen Sondheim (Photos)
Henry Fonda, actor (1905-82)

Grammy: Best Spoken Word Album, “Great Documents” (1977)

Oscar: Best Actor, “On Golden Pond” (1981)

Tony: Best Actor, “Mister Roberts” (1948); Best Actor, “Clarence Darrow” (1975)

Oscar Hammerstein II, lyricist and producer (1895-1960)

Grammy: Best Original Cast Album, “The Sound of Music” (1960)

Oscar: Best Original Song, “The Last Time I Saw Paris” from “Lady Be Good” (1941); “It Might As Well Be Spring” from “State Fair” (1945)

Tony: Three awards for “South Pacific” (1950); Best Musical, “The King and I” (1952); Best Musical, “The Sound of Music” (1960)

Elton John

Grammy: Best Pop Performance by a Duo or Group, “That’s What Friends Are For” (1986); Best Instrumental Composition, “Basque” (1991); Best Male Pop Vocal Performance, “Can You Feel the Love Tonight” (1994); Best Male Pop Vocal Performance, “Candle in the Wind” (1997); Best Show Album, “Aida” (2000)

Oscar: Best Original Son, “Can You Feel the Love Tonight” from “The Lion King” (1994)

Tony: Best Score, “Aida” (2000)

John Legend, songwriter and
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Home from the Hill

He-bull womanizer Robert Mitchum spars with wife Eleanor Parker for the future of their son George Hamilton in Vincente Minnelli’s attractive, sprawling tale of cruel family unrest. The real winners in the picture are the fresh-faced George Peppard and Luana Patten, whose small-town romance is more interesting than the main bout.

Home from the Hill


Warner Archive Collection

1960 / Color / 2:35 widescreen / 150 min. / Street Date August 14, 2018 / available through the WBshop / 21.99

Starring: Robert Mitchum, Eleanor Parker, George Peppard, George Hamilton, Everett Sloane, Luana Patten, Constance Ford, Ray Teal, Bill Hickman, Denver Pyle, Stuart Randall, Dub Taylor, Guinn ‘Big Boy’ Williams.

Cinematography: Milton Krasner

Film Editor: Harold F. Kress

Original Music: Bronislau Kaper

Written by Harriet Frank Jr., Irving Ravetch from the novel by William Humphrey

Produced by Edmund Grainger, Sol C. Siegel

Directed by Vincente Minnelli

Two and a half hours for a dramatic film was considered long in 1960, but
See full article at Trailers from Hell »

Keira Knightley Flirts With Both Sexes in First ‘Colette’ Trailer (Video)

Keira Knightley Flirts With Both Sexes in First ‘Colette’ Trailer (Video)
Keira Knightley challenges the patriarchy and flirts up a storm — with both sexes — in the first trailer for Wash Westmoreland’s indie biopic “Colette” about the early-20th-century French novelist best known in the U.S. for the novella “Gigi.”

Knightley could be gunning for her third Oscar nomination for the showy role as Sidonie-Gabrielle Colette, who is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris when she marries a successful writer known commonly as “Willy” (Dominic West).

Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a best-seller and a cultural sensation.

Also Read: Keira Knightley's 'Colette' Sells to Bleecker Street and 30West

After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight
See full article at The Wrap »

O The Choices I Have! A 2018 Tcmff Preamble

So much time, so few movies to see. Scratch that. Reverse it.

Running a little later than usual this year, the 2018 Turner Classic Movies Film Festival gets under way this coming Thursday, screening approximately 88 films and special programs over the course of the festival’s three-and-a-half days, beginning Thursday evening, and no doubt about it, this year’s schedule, no less than any other year, will lay out a banquet for classic film buffs, casual film fans and harder-core cinephiles looking for the opportunity to see long-time favorites as well as rare and unusual treats on the big screen. I’ve attended every festival since its inaugural run back in 2010, and since then if I have not reined in my enthusiasm for the festival and being given the opportunity to attend it every year, then I have at least managed to lasso my verbiage. That first year I wrote about
See full article at Trailers from Hell »

‘Dunkirk’ has an uphill Oscar battle: It’d be the first Best Picture winner without acting or writing nominations in 85 years

‘Dunkirk’ has an uphill Oscar battle: It’d be the first Best Picture winner without acting or writing nominations in 85 years
The story of this year’s Oscar race is rules. Which long-standing rule awards pundits rely on to make predictions will be broken? All of the top five Best Picture contenders in our predictions have something missing — “The Shape of Water” doesn’t have the SAG ensemble nomination, “Three Billboards Outside Ebbing, Missouri” doesn’t have a director nomination, “Lady Bird” and “Get Out” don’t have editing or any craft nominations, and “Dunkirk”? “Dunkirk” would have to break one of the longest stats. Christopher Nolan’s epic doesn’t have any acting or writing nominations and only two films have won Best Picture without either of them: “Wings” (1927/28) and “Grand Hotel” (1932).

That’s right, it hasn’t happened in 85 years. Even then, you can attribute the first two instances to the early days of the Oscars, when categories, rules and voting patterns were in flux. “Wings,” of course, was
See full article at Gold Derby »

Newly Engaged Alexa Ray Joel's Apartment Is '20 Steps from a Grey Gardens Moment' According to Mom Christie Brinkley: See Inside

Newly Engaged Alexa Ray Joel's Apartment Is '20 Steps from a Grey Gardens Moment' According to Mom Christie Brinkley: See Inside
The décor in Alexa Ray Joel’s Manhattan apartment is a mix of gifts from her parents, supermodel Christie Brinkley and singer Billy Joel, quirky heirlooms and antique artwork.

“My mother teases me, ‘You are more polished, but you are like 20 steps from a Grey Gardens moment,’” Joel, 32, says of her eclectic aesthetic in a profile of the space in the New York Times. But, she admits of the assessment, “It’s true.”

The singer-songwriter, who got engaged to boyfriend Ryan Gleason in January, opened the doors to her home, which features flea market finds from her mom, 64, and a
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The 21 Most Overlooked Directors in Oscar History, From Ingmar Bergman to Alexander Payne

  • Indiewire
It’s not easy to land a Best Director Oscar nomination — even for a white man. Of the hundreds of filmmakers recognized by the Academy of Motion Picture Arts and Sciences in nine decades, just 10 have been African American or women — which is why 2018 nominees Jordan Peele and Greta Gerwig are so rare. Not one black Best Director has won since John Singleton became the first nominee with “Boyz in the Hood” in 1991. Kathryn Bigelow is the only woman to ever take home a gold statue, for 2009’s “The Hurt Locker.” The only Asian director asked to accept top honors is Ang Lee, who prevailed for both “Brokeback Mountain” and “Life of Pi.”

Many great filmmakers have been nominated for their work outside of directing, including Tim Burton, Terry Gilliam, Sam Peckinpah, and Rob Reiner, but have never been invited to the Best Director party at all. Still more picked
See full article at Indiewire »

Letter from an Unknown Woman

This devastating romantic melodrama is Max Ophüls’ best American picture — perhaps because it seems so European? It’s probably Joan Fontaine’s finest hour as well, and Louis Jourdan comes across as a great actor in a part perfect for his screen personality. The theme could be called, ‘No regrets,’ but also, ‘Everything is to be regretted.’

Letter from an Unknown Woman


Olive Signature

1948 / B&W / 1:37 flat Academy / 87 min. / Street Date December 5, 2017 / available through the Olive Films website / 29.98

Starring: Joan Fontaine, Louis Jourdan, Mady Christians, Marcel Journet, Art Smith, Carol Yorke, Howard Freeman, John Good, Leo B. Pessin, Erskine Sanford, Otto Waldis, Sonja Bryden.

Cinematography: Franz Planer

Film Editor: Ted J. Kent

Original Music: Daniele Amfitheatrof

Written by Howard Koch from a story by Stefan Zweig

Produced by John Houseman

Directed by Max Ophüls

A young woman’s romantic nature goes beyond all limits, probing the nature of True Love.
See full article at Trailers from Hell »

Doc NYC 2017: 13 Films We Can’t Wait to See At the Festival, From ‘EuroTrump’ to ‘David Bowie: The Last Five Years’

  • Indiewire
Doc NYC 2017: 13 Films We Can’t Wait to See At the Festival, From ‘EuroTrump’ to ‘David Bowie: The Last Five Years’
New York City’s annual Doc NYC festival kicks off this week, including a full-to-bursting slate of some of this year’s most remarkable documentaries. If you’ve been looking to beef up on your documentary consumption, Doc NYC is the perfect chance to check out a wide variety of some of the year’s best fact-based features. Ahead, we pick out 14 of our most anticipated films from the fest, including some awards contenders, a handful of buzzy debuts, and a number of festival favorites. Take a look and start filling up your schedule now.

Doc NYC runs November 9 – 16 in New York City.


Donald Trump may seem like a sui generis figure, a one-of-a-kind monster who was forged in a perfect storm of racism, tweets, and chaos, but history suggests that he’s really just a new breed of an old type. You don’t even have to look
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From Silent Film Icon and His Women to Nazi Era's Frightening 'Common Folk': Lgbt Pride Movie Series (Final)

From Silent Film Icon and His Women to Nazi Era's Frightening 'Common Folk': Lgbt Pride Movie Series (Final)
(See previous post: “Gay Pride Movie Series Comes to a Close: From Heterosexual Angst to Indonesian Coup.”) Ken Russell's Valentino (1977) is notable for starring ballet dancer Rudolf Nureyev as silent era icon Rudolph Valentino, whose sexual orientation, despite countless gay rumors, seems to have been, according to the available evidence, heterosexual. (Valentino's supposed affair with fellow “Latin LoverRamon Novarro has no basis in reality.) The female cast is also impressive: Veteran Leslie Caron (Lili, Gigi) as stage and screen star Alla Nazimova, ex-The Mamas & the Papas singer Michelle Phillips as Valentino wife and Nazimova protégée Natacha Rambova, Felicity Kendal as screenwriter/producer June Mathis (The Four Horsemen of the Apocalypse), and Carol Kane – lately of Unbreakable Kimmy Schmidt fame. Bob Fosse's Cabaret (1972) is notable as one of the greatest musicals ever made. As a 1930s Cabaret presenter – and the Spirit of Germany – Joel Grey was the year's Best Supporting Actor Oscar winner. Liza Minnelli
See full article at Alt Film Guide »

Great Job, Internet!: How La La Land took inspiration from one particular MGM director

Apparently, no one’s sick of talking about La La Land yet, as more behind-the-scenes pieces, homages, and takeoffs keep pouring in as we get closer to the movie’s likely Oscar sweep. Most know that the film itself is an homage to classic Hollywood musicals. But in a new short video, Frame By Frame has examined its tie to one director in particular: Vincente Minnelli (a.k.a. Liza’s dad and Judy Garland’s second husband). Minnelli helmed musicals in the golden MGM era like Meet Me In St. Louis, An American In Paris, and Gigi. Frame By Frame’s film theorists point out Damien Chazelle used many of Minnelli’s specific techniques—like long tracking shots, surrealism, even the bold use of color—which helped La La Land stand out just as much as Gigi.

It’s a granular, educational examination for musical buffs, although the “stolen
See full article at The AV Club »

Witness the Evolution of Cinematography with Compilation of Oscar Winners

This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards

Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by
See full article at The Film Stage »

Love in the Afternoon

Love in the Afternoon


Warner Archive Collection

1957 / B&W / 1:85 widescreen / 130 min. / Street Date February 7, 2017 / available through the WBshop / 21.99

Starring Gary Cooper, Audrey Hepburn, Maurice Chevalier, John McGiver, Van Doude, Lise Bourdin, Louis Jourdan, Betty Schneider.

Cinematography: William C. Mellor

Film Editor: Leonid Azar

Art Direction: Alexandre Trauner

Adapted Music: Franz Waxman

Written by: Billy Wilder, I.A.L. Diamond from a novel by Claude Anet

Produced and Directed by Billy Wilder

A favorite of Billy Wilder-philes, Love in the Afternoon is a strong expression of the ‘romantic-Lubitsch’ vein in Wilder’s work. It’s essentially a return to the early ’30s Lubitsch comedies with Maurice Chevalier, but played in a more bittersweet Viennese register. It’s also Wilder’s first collaboration with the comedy screenwriter I.A.L. Diamond. Together they fashion the predominantly verbal comedy machine that will carry them through three or four big hits, and a few losers that have become classics anyway.
See full article at Trailers from Hell »

Sliff 2016 Review – Demimonde

Demimonde screens Friday, Nov. 4 at 7:00pm and Wednesday, Nov. 9 at 9:00pm as part of this year’s St. Louis International Film Festival. Ticket information for the November 4th show can be found Here. Information for the November 9th screening can be found Here.

In January 1914, a horrific murder shakes the city of Budapest: One of the city’s most famous courtesans, Elza Mágnás, has been strangled and her body thrown into the icy waters of the Danube. Chronicling the last four days of Elza’s life through the eyes of a young and naive maid, “Demimonde” — which is based on a true tale of love, passion, sex, and power — untangles the prostitute’s bizarrely complex relationships with her housekeeper, her sponsor, and her lover.

Demimonde review by Cate Marquis

Demimonde is an atmospheric, even Gothic, mystery set in the “demimonde” of early 20th century Budapest, a tale that
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Photo Coverage: The New York Pops Opens Their Season with The Musical World Of Lerner And Loewe

OnOctober 14, 2016 at 800Pm,The New York Pops,led by Music DirectorSteven Reineke,launched its 34thseason atCarnegie Hall's Stern AuditoriumPerelman Stage, celebrating the legacy and timeless works ofAlan Jay Lerner and Frederick Loewe.In celebration of the 60thAnniversary of their landmark production ofMy Fair Lady, The New York Pops will highlight the songwriting team's iconic collaborations from the Golden Age of Broadway, including selections fromCamelot,Brigadoon,Gigi,andPaint Your Wagon. Guest artistsColin DonnellandLaura Osnesof Broadway famealongside operatic baritoneNathan Gunnwill bring these legendary show tunes to life with the full 78-piece New York Pops. The orchestra and soloists will be joined byJudith Clurman's Essential Voices USA.
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Alexander the Great and Judy the Greatest

On this day in history as it relates to the movies...

323 BC Alexander the Great dies of an unknown illness. Colin Farrell plays him in a movie centuries and centuries later and it's suggested that it's a combo of Typhus, Bad Wigs, and Loving Jared Leto that does him in. Who could survive that combo? (Remember when Baz Luhrmann was going to make an Alexander movie, too, but Oliver Stone beat him to it? We wish it had been the other way around.)

38 Ad Julia Drusilla dies in Rome. In the infamous Bob Guccione movie Caligula (1979) her brother Caligula (Malcom McDowell) is shown licking her corpse. Somehow that's not remotely the most perverted thing in the movie!

1692 Bridget Bishop is executed for "Detestable Arts called Witchcraft & Sorceries." She's the first victim of the notorious Salem Witch Trials that will claim many lives and inspire many works of art including The
See full article at FilmExperience »

All the Colors Left With You: Grieving in Life and "The Courtship of Eddie's Father"

On January 22nd of this year I lost someone very close to me. The someone I was closest to, in fact. She was (is) my best friend, my daughter. The love of my life a lot of people say, though this someone wasn’t actually a person. She was better—she was a dog. A nearly 19-year-old Silver Dapple Dachshund named Elizabeth Alaina Freeman, Libby for short. I got her when I was 11 and going through my Queen Elizabeth I phase. I was there when she was born, was the first person she saw when she opened her eyes and the first to hold her. As fate mercifully had it, I was also the last person she saw and the last one to hold her. She died in my arms while I was sleeping. I woke to find her looking at me, eyes unmoving.Last week I turned 30. It was
See full article at MUBI »
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