Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story.Written by
Leslie Caron enjoyed working with Louis Jourdan, though he could sometimes be a challenge. She recalled, "Louis Jourdan, one of the handsomest men in Hollywood, was not comfortable with his image, yet his wit and self-deprecating humour were rare and unique.... He tended to express his angst with constant negative comments about Minnelli's staging, but instead of having it out with Vincente, he poured his grudges out on me. I was quite exhausted to hear, every time the camera stopped, his litany of grievances." See more »
When Honore Lachaille is having a shave at the barbers, a small amount of shaving cream is left on his face after he has wiped it with a towel. It disappears on the next shot. See more »
[Honore walks through Paris and greets the viewer]
Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...] See more »
"My Fair Lady" is certainly Lerner and Loewe's crowning glory, but in my mind, this is their most perfect creation. Anyone who thinks that Alan Jay Lerner was not able to write and/or adapt a strong book without the help of a G.B. Shaw needs to take in this gem of a musical based on the novel by Colette.
Although the creators were American, it is so effervescently French in spirit and tone. Lerner insisted that he and Loewe actually live temporarily in Paris while writing the score and screenplay so that they could incorporate the mood and feel of the city into their collaboration. This move paid off in spades. Paris is as much a character in this story as any of the protagonists, and it is displayed beautifully here. There is such color, joy, and romance in this musical. I also happen to think that it's extremely funny to boot. It is perfectly cast (the three main characters are all French, including the legendary Maurice Chevalier), the Cecil Beaton costumes are incredible, and the score is scintillating. The pace never lags for a second.
This musical is a must.
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