Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story.Written by
Leslie Caron said of Maurice Chevalier, "His attitude seemed to be, 'You know me on the screen, but you don't really know me at all,'". One crew member added, "He was grumpy. He made his demands - whether for a chair in the shade, a sandwich, or a glass of water - imperiously. He never acknowledged the existence of the crew." But others on the set found Chevalier to be a charming man who was conscientious, worked hard and took his role very seriously. "Maurice was the infinite professional: always punctual, always courteous, always frank, always encouraging, always working header than everyone else," said Alan Jay Lerner. See more »
When Honore Lachaille is having a shave at the barbers, a small amount of shaving cream is left on his face after he has wiped it with a towel. It disappears on the next shot. See more »
[Honore walks through Paris and greets the viewer]
Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...] See more »
In some prints shown on television, we see still photos of Leslie Caron part of the time during the song "Gigi", instead of seeing Louis Jourdan singing. (This occurs after the verse and first chorus, when the orchestra plays the song while Jourdan only exclaims "Gigi!") As shown currently, we see Jourdan singing throughout the whole song, as in the theatrical release. See more »
The ability to do fine musicals was one of Hollywood's endearing traits. However, in Gigi they produced a GREAT musical that is in a class by itself. The score, the libretto, the costumes, photography et al won Oscars and deserved them.
However, the cast led by Caron and Chevalier all deserved a special Oscar. They were cast perfectly and performed to perfection. Could there be a better Gigi than Caron? Her ability to go from a charming child to a beautiful women is overwhelming. The songs that Chevalier has made into classics, appear to have been written especially for him. Could one visualize any other personality performing these songs?
Jourdan is perfect in his role and so is Gingold. Thank heaven!!! Lastly, I must pay homage to that city on the Seine. It is the ultimate star and should have gotten a special award.
I agree with those readers that have called Gigi the best Hollywood musical; it is really the perfect musical. Thank heaven!!!
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