Horror of Dracula (1958)

Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses.

Director:

Terence Fisher

Writers:

Jimmy Sangster (screenplay), Bram Stoker (novel)

Stars:

Peter Cushing, Christopher Lee, Michael Gough

1 nomination.

Cast

Cast overview, first billed only:
Peter Cushing	...	Doctor Van Helsing
Christopher Lee	...	Dracula / Count Dracula
Michael Gough	...	Arthur Holmwood
Melissa Stribling	...	Mina Holmwood
Carol Marsh	...	Lucy Holmwood
Olga Dickie	...	Gerda
John Van Eyssen	...	Jonathan
Valerie Gaunt	...	Vampire Woman
Janina Faye	...	Tania (as Janine Faye)
Barbara Archer	...	Inga
Charles Lloyd Pack	...	Doctor Seward
George Merritt	...	Policeman
George Woodbridge	...	Landlord
George Benson	...	Official
Miles Malleson	...	Marx - Undertaker

Storyline

After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.

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Plot Keywords:

vampire | castle | cross | 19th century | race against time | 

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Taglines:

Who Will Be His Bride Tonight?

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Genres:

Horror

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Certificate:

Not Rated

Details

Country:

UK

Language:

English

Release Date:

16 June 1958 (UK)

Also Known As:

Dracula 1958

Filming Locations:

Bray Studios, Down Place, Oakley Green, Berkshire, England, UK

Box Office

Budget:

£81,000 (estimated)

Company Credits

Production Co:

Hammer Films

Technical Specs

Runtime:

82 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Colour by) (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Composer James Bernard once said in an interview, he actually composed the main three-note theme by breaking the word "Dracula" down to its three syllables.

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Goofs

The supposedly dead Lucy reacts when Van Helsing and Arthur Holmwood look into her coffin after she has been staked.

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Quotes

[first lines]
Jonathan Harker: [narrating his diary] The Diary of Jonathan Harker... Third of May, 1885. At last, my long journey is drawing to its close. What the eventual end will be, I cannot foresee. But whatever may happen, I can rest secure that I will have done all in my power to achieve success.

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Alternate Versions

It has long been rumored among fans that the Japanese cut of the film contained a number of extended scenes, among them a shot of Dracula tearing his face off during the disintegration climax. Thanks to the efforts of a fan based in Japan, Hammer Films finally acquired the surviving footage from the extended cut in 2011 for inclusion in a forthcoming "definitive" restoration.

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Connections

Referenced in Dracula: Prince of Marketing (2008)

User Reviews

The most influential British film

It's difficult to overestimate the significance of Dracula. Far more so than its predecessor, The Curse of Frankenstein, it set the tone for Hammer's movie output over the next two decades - the two decades (1956-1976) when British films, or at least British horror films, were among the best, most admired and most imitated in the world. A far cry from the terribly English whimsy of the Thirties and Forties, or the provincial, "arty" stuff that's predominated since the end of the Eady levy in the 1980s.

With this movie, Hammer not only created an international star out of Christopher Lee, but a worldwide phenomenon that persists, in series such as Buffy the Vampire Slayer and films like Sleepy Hollow, to the present day. Taking the Kensington gore quotient of The Curse of Frankenstein, and combining it with an unprecedented dose of eroticised violence, Dracula revolutionised horror, ultimately leading to the breasts and blood exploitation movies of the Seventies, as well as the heavy sexual overtones of films such as Alien and The Company of Wolves.

The movie benefits from two astonishing central performances. Christopher Lee's Dracula is a creation of passionate intensity, to whom Cushing's monomaniacal Van Helsing is the antithesis – fire and steel; hot-blooded animal instinct versus cool scientific rationalism. This has led some critics to identify Van Helsing as the real villain of the piece, a brutal fanatic who coldly pounds a stake through the vampirised Lucy. Either way, both actors give supremely effective performances. The final confrontation between the two remains the single most iconic scene in any Hammer film. Hardly surprising, given their on screen charisma, that Lee should reprise his role six times and Cushing four.

The most influential British movie of all time, Dracula's electric mix of sex and death fuelled a global revolution in genre film-making, and presented Hammer with a formula that they would return to again and again over the next two decades.