When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.Written by
About a quarter of an hour into the film, immediately following the scene where Dracula attacks Harker and then carries the vampire woman out from the library, there is an establishing shot of the outside of Dracula's castle. It looks motionless, but on closer inspection, a dark figure can be seen rushing past the bushes around the entrance to the castle. The most probable explanation is that it is, in fact, the top of Dracula's carriage, and the shot was originally filmed for the scene a few minutes later when the carriage rushes past Van Helsing on his first trip to the castle. However, the carriage is so indistinguishable in long-shot, the editors obviously abandoned it and used it here instead. See more »
[narrating his diary]
The Diary of Jonathan Harker... Third of May, 1885. At last, my long journey is drawing to its close. What the eventual end will be, I cannot foresee. But whatever may happen, I can rest secure that I will have done all in my power to achieve success.
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Terence Fisher's DRACULA (HORROR OF DRACULA in the USA; 1958) is the best vampire film of all time. No other picture combines the right amounts of horror, humor, action, and eroticism. Britain's Hammer Films is legendary for their horror films--this is the best of them all. Although quite different from the book in many ways, I feel this picture captures the spirit of Stoker's work better than the more literal adaptations. Everything works here--Fisher's tight, crisp pacing, James Bernard's throbbing, full-blooded score, and especially the acting. Christopher Lee inherits the role of Dracula from Lugosi and makes it his own--he still holds the record for most film performances as the Count. Peter Cushing is the definitive Dr. Van Helsing--by turns tough and tender, his interpretation far outshines those of far better known actors--Anthony Hopkins and Laurence Olivier played the part later, but their performances were totally inferior to Cushing's. And how about Michael Gough--Alfred in the recent BATMAN films--as Holmwood? He's a treat in his own right! Lugosi came first, and later films spent more money; however, the best combination of all elements is in HORROR OF DRACULA. It is required viewing for all vampire fans.
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