Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses, forcing his colleague Dr. Van Helsing to destroy the predatory villain when he targets Harker's loved ones.
When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
A young man, Paul Carlson, is on a trip and spends the night at Count Dracula's castle. He is murdered. After some time has passed, the young man's brother Simon comes to the small town ... See full summary »
Roy Ward Baker
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Professor Lorrimer Van Helsing (a ... See full summary »
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.Written by
The horse-drawn coaches in this movie were authentic historical carriages, driven by George Mossman. He established his own museum of these vehicles in Luton in 1954, and with sixty-three original horse coaches from the eighteenth, nineteenth, and twentieth centuries, it is currently the largest collection of such vehicles on display in the U.K. See more »
The position of the bite marks on Jonathan Harker's neck changes considerably from the scene in which he is bitten, to the scene in which he inspects them with the mirror. See more »
[narrating his diary]
The Diary of Jonathan Harker... Third of May, 1885. At last, my long journey is drawing to its close. What the eventual end will be, I cannot foresee. But whatever may happen, I can rest secure that I will have done all in my power to achieve success.
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The film was cut for its original cinema release by the BBFC in 1958 to remove shots of blood during Lucy's staking and to reduce the final disintegration of Dracula. For later UK video and DVD releases the U.S print (titled "Horror Of Dracula") was used as this restored the staking scene in full, although the climactic disintegration remained edited (and may no longer survive). In May 2007 a new BFI 'restored' print was premiered in Cannes which includes the staking and restores the original title of "Dracula" to the opening titles. See more »
An outstanding film on all accounts! This is far and away a better vampire(Dracula) film then the Universal film because of its action and pace, its acting, and its rich musical score and lush cinematography. Now I like the old Universal film a lot, but this one just seems to have so much more blood coursing through its veins, so to speak. The story is a variation on the novel, and the Universal film is actually much more faithful, but Horror of Dracula compensates by having the core of the film centered around two polarized opposing forces of good and evil. Christopher Lee is excellent as Dracula, bringing to the character a genuine menace and some sophistication mixed with brutality(lacking from Lugosi's performance). The real star, however, at least for me is the venerable Peter Cushing in the role of Professor Van Helsing. Cushing's character is a man single of purpose in his quest to rid the world of Dracula. Cushing brings a great deal of charm, grace, and incredible professionalism to his role. Other performers are quite good. Michael Gough is very good in his role, and Miles Malleson is very humorous in his minute role of an undertaker. Director Terrence Fisher deserves most of the credit for the success of this film and the way vampires were to be treated afterward in film. Fisher directs with precision and creates a rich tapestry of vibrant colors and wonderful sets with his discerning eye for detail. This film's importance cannot be overlooked as it revolutionized a whole sub-genre of horror...and brought us two wonderful actors....Lee and Cushing...together in two of their greatest roles. That is enough for me!
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