Set in present day Japan in a provincial town, Bunzo Kurosawa, a greedy and violent father, is murdered in his own home. Bunzo has 3 sons: oldest son Mitsuru (Takumi Saito), second son Isao... See full summary »
A British woman trying to escape Hungary with her freedom fighter lover and a group of Westerners, as the Soviet Union moves to crush the Hungarian Revolution of 1956, finds herself the obsession of an enigmatic Communist officer.
A film that examines the relationships between lives on both sides of the proscenium, Petr Zelenka's Karamazovi finds a Prague-based theatrical ensemble arriving in Krakow, Poland - where ... See full summary »
Jerzy Michal Bozyk,
Based on the novel by Fyodor Mikhailovich Dostoevskiy "Bratya Karamazovi", it was his last novel which was supposed to be the first in a series but unfortunately was his last one. This ... See full summary »
In New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.
Ryevsk, Russia, 1870. Tensions abound in the Karamazov family. Fyodor is a wealthy libertine who holds his purse strings tightly. His four grown sons include Dmitri, the eldest, an elegant officer, always broke and at odds with his father, betrothed to Katya, herself lovely and rich. The other brothers include a sterile aesthete, a factotum who is a bastard, and a monk. Family tensions erupt when Dmitri falls in love with one of his father's mistresses, the coquette Grushenka. Two brothers see Dmitri's jealousy of their father as an opportunity to inherit sooner. Acts of violence lead to the story's conclusion: trials of honor, conscience, forgiveness, and redemption.Written by
After watching this film for the first time I can see where Jerome Weideman got the inspiration for the novel that became the basis for the films House Of Strangers and Broken Lance. The Menottis of the first film and the Devereauxs of the second were definitely inspired by The Brothers Karamazov.
The feelings for the father are the only thing that unite these four distinctly different brothers. Lee J. Cobb is a hard drinking, hard wenching, two fisted patriarch who is determined to beat everyone else in the game of debauchery. He's getting good competition from son Yul Brynner and it arouses some jealousy even though Brynner is engaged to a nice girl in Claire Bloom who also has a father giving both of them a run at that game. Things do come to a head when Brynner takes an interest in another woman who Cobb is currently keeping company with. In fact Inger Stevens and Cobb have a complicated scheme to get Brynner under their thumb through his gambling debts so he's forced to marry Bloom and start living respectively.
The other brothers are unique individuals themselves. Richard Basehart is a reporter for a radical newspaper with budding revolutionary thoughts. William Shatner is a pious novice monk, he and Basehart are a study in contrasts. Finally there is Albert Salmi who claims Cobb as his father and who Cobb treats like a doormat. Not that this brutish sadistic thug is worthy of anything. All of the sons suffer from a lack of a strong father figure.
The climax is when Cobb is murdered and Brynner is arrested for the crime. Fyodor Doestoyevsky is not Agatha Christie, people who like murder mysteries will have that solution figured out. But Doestoyevsky was writing this novel as a character study. Each of these brothers represent an extreme in terms of a way of living be it radical politics, religion, debauchery, or even brutish strength. An amalgam character of all of them would be a well adjusted man.
The Brothers Karamazov got one Oscar nomination, Lee J. Cobb for Best Supporting Actor. Papa Karamazov is certainly the kind of role that one cannot possibly overact in and Cobb feasts on enough scenery for three films. He lost the Oscar sweepstakes to another patriarchal portrayal that which Burl Ives did in The Big Country.
After over 50 years The Brothers Karamazov holds up very well, it's a good film and a good introduction to the works of Doestoyevsky. Try and see it back to back to back with House Of Strangers and Broken Lance.
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