The Blob

Who would think Andy Griffith's "Helen Crump" (Aneta Corsaut) had a Steve McQueen movie in her past? But that is only one of several weird and wonderful things about the ultimate 1950s teenagers-battle-creatures movie, which might best be described as Rebel Without A Cause meets God Knows What From Outer Space. The Rebel is Steven McQueen (who would shortly decide that "Steve" sounded less prissy), a good boy with just enough wild to be interesting; the very wholesome yet understanding girlfriend is the aforementioned Aneta Corsaut. It was bad enough when their date was disrupted by teenage hot-rodders, but they are considerably more nonplussed when they encounter a gelatinous, man-eating What Is It that rides down to earth on its own hotrod meteor--and begins gobbling up townfolk right and left. But will the grown ups believe them? Of course not, what do they know, they're just kids!

The movie is teeny bopper at its teeny bopping best. The actors take the rather pretentious script very seriously, with many a soulful look into each other eyes, and the "adult" supporting cast probably says "Kids!" very third sentence or so. But the real pleasure of the film its creature, which is well imagined, well-executed, and often manages to generate a surprising degree of suspense. And although clearly on the cheap side (check out those miniature sets, guys!), THE BLOB is actually a fairly well-made film--and there's that catchy little theme song thrown in for good measure. The 40-plus crowd (myself included) will enjoy the movie as nostalgia, but that won't prevent them from hooting right along with the younger set at its whole-milk-and-white-bread 1950s sensibility, and the film would be a great choice for either family-movie night or a more sophisticated "grown ups only" get together. Make plenty of Jello cubes for movie snacking! Gary F. Taylor, aka GFT, Amazon Reviewer

This hugely entertaining b-movie starts off with an insanely catchy rockabilly song that perfectly sets the mood for what's to come. This movie never makes the mistake of taking itself seriously, which is what made it such an effective thriller.

The acting was actually pretty stiff, and the main characters aren't that interesting, but the director is really good at keeping this viewer in suspense. The blob was pretty ridiculous, but I still tensed up whenever I saw it on screen. And like I said in the summary, this movie has a sense of humour, which is important in low budget science fiction.

I also found the special effects to be clever. The Blob slithered under doorways, through vents, and up people's legs. It was kind of obvious how they did a lot of it,but I personally think that's part of the charm of pre-cgi effects.

Bottom Line: If you're expecting great acting and character development, skip this, but if you like b- movies, it's a masterpiece.

A horror film that is both goofy and strangely terrifying. One has to wonder about what the Creator/Deity was thinking when The Blob was made. What kind of world did it come from? When it's in it's normal habitat what does The Blob feed on? When you think about it The Blob is your ultimate doomsday weapon.

The soon to be legend Steve McQueen got his first starring role in The Blob, a 28 year old playing a teen who is out getting down to business with Aneta Corsaut when a passing meteor lands, cracks open, and out pops this Jello like creature which just absorbs whatever is living around it on contact and just grows. In the end it is covering your average greasy spoon diner with McQueen, Corsaut, and others inside.

Most of the film is McQueen trying to warn folks about it with the help of Corsaut. Of course the adults, especially law enforcement don't believe him after all he's a typical Eisenhower era teen with girls and hotrods on his mind. In fact in the middle of a mission, he takes time for a little drag race.

But it's Steve who actually discovers the secret of if not killing The Blob at least rendering it helpless and inert. McQueen was paid $2500.00 for the film, in two years that might have paid for one of his entourage.

The Blob was the farewell film of character actor Olin Howlin who usually played rustic types in a couple hundred films. He's The Blob's first victim that McQueen and Corsaut discover.

After over 50 years still an interesting and camp film.

I first saw "The Blob" on TV back in the '70s when I was about eight years old and it scared the unholy crap out of me. (I was a nervous type kid.) Seeing it again as a grown man, I smiled a lot at how relatively mild-mannered it is by today's standards, but "The Blob" is still a ton of fun. A young Steve McQueen (billed as "Steven" here for the first and only time in his career) plays the plucky, square-jawed teenage hero (despite the fact that he was 27 when he made the movie) who battles valiantly against the usual group of unbelieving grown-ups (who's gonna take the word of a teen-age hot rodder?) in order to save his small town from a man-eating alien hunk of goo that crashes to earth inside a meteor and begins absorbing townspeople at an alarming rate overnight. The title creature may resemble a wiggling, chewed up hunk of bubble gum, but you gotta love those attack scenes shot from The Blob's point of view (did they use a "Blob Cam?") and that oh-so-catchy theme song ("It creeps! It leaps! It slides, it glides across the floor!"). Admittedly "The Blob" suffers a bit from a few slow patches in the middle of the film where Steve and his fellow teens do more talking than anything else, but once the third act begins and the creature oozes into a sold-out midnight horror movie show at the local theatre, causing mass panic, it's golden. "The Blob" is an iconic piece of 50s sci-fi/horror, no doubt, and it's just as much fun to watch today as it must've been "back in the day." "The Blob" was remade in the late 80s by "Nightmare on Elm Street 3: The Dream Warriors" director Chuck Russell (I like that version as well), and now I'm hearing that Rob Zombie's next film project will be yet another new version of "The Blob." What puzzles and worries me is that Zombie says the first thing he's going to change in his remake is that there won't be "a big, red Blobby thing. I hate that." Now, how the hell are you going to make a "Blob" movie WITHOUT a big, red Blobby thing? Blasphemy!!!

This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.

It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all

It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.

I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.