Remake of the 1958 sci-fi horror classic about a deadly blob from another planet which consumes everything in its path. Teenagers attempt without success to warn the townspeople, who refuse to take them seriously.
Donovan Leitch Jr.
A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace, including the local hippies, kittens, and bowlers.
Robert Walker Jr.,
A mysterious creature from another planet, resembling a giant blob of jelly, lands on earth. The people of a nearby small town refuse to listen to some teenagers who have witnessed the blob's destructive power. In the meantime, the blob just keeps on getting bigger.Written by
Russell S. Doughten Jr. who also directed The Blob only worked on christen religious films. He felt there was a message being said to support teenagers in this movie. See more »
Shadow of the boom mike on the cop's face after they break into the locked room at the doctor's house. See more »
[Steve stops outside the phone booth to call the police]
You talk to them, Tony.
Me? Why me?
I'm supposed to be home asleep, if they think I'm running around loose, they'll never believe us.
Yeah yeah, here's a dime. Come on, come on!
What'll I say?
Ask for Dave, and listen Tony, you give it to him straight. Tell him to get out to this store quick! You tell him to bring every piece of hardware he can find in the police station!
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Keith Almoney, who plays Jane's little brother Danny, had his name misspelled in the credits as "Kieth Almoney." See more »
Spanish dubbed version substitutes the opening credits theme song for a more conventional, in-tone with the movie, instrumental tune. See more »
This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
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