A C-47 transport plane, named the Corsair, makes a forced landing in the frozen wastes of Labrador, and the plane's pilot, Captain Dooley, must keep his men alive in deadly conditions while waiting for rescue.
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a young geisha.Written by
Jim Beaver <email@example.com>
John Huston later dismissed this film, claiming that the final version, re-cut by the studio, didn't resemble his vision at all and that he would've liked to have his name removed from the credits. Stylistically, Huston wanted to make it a particularly Japanese film in terms of photography, pacing, color and narration. According to him, only bits of this attempt were still intact and visible in the theatrical version. See more »
At one point, Townsend calls to his Chinese servant Sam; this was not, as some thought, a mistaken reference to an actor's real name. See more »
A Hollywood mini-epic that is more about the barbarian's political strategies than the geisha's sensual art. In fact, though John Wayne was the right choice for the role of Townsend Harris, the first US consul general in Japan, he looks awkward as a romantic lead, especially besides sleek Eiko Ando as the geisha. Huston handled the Japanese aspects of the story in a reverent fashion; the film even begs for subtitles, since he let the Japanese perform considerable portions of dialogue in their native language. As Wayne perhaps for different reasons- Huston must have felt attracted to the colonialist side of the story, but although it's known that Fox reshot scenes and re-edited the film, there wasn't much to do with a script concealing the expansionist interest in breaking Japan isolationism behind the Consul General's demagogy. A recommended curio.
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