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Anna Lucasta (1958)

Approved | | Drama | 16 January 1959 (Sweden)
A young woman struggling with a sordid past finds that her biggest enemy had larger demons than she did.


Arnold Laven


Philip Yordan (screenplay)




Cast overview:
Eartha Kitt ... Anna Lucasta
Sammy Davis Jr. ... Danny Johnson
Frederick O'Neal ... Frank
Henry Scott ... Rudolph Slocum
Rex Ingram ... Joe Lucasta
Georgia Burke Georgia Burke ... Theresa
James Edwards ... Eddie
Rosetta LeNoire ... Stella (as Rosetta Lenoire)
Isabel Cooley ... Katie
Alvin Childress Alvin Childress ... Noah
Claire Leyba Claire Leyba ... Blanche
John Proctor John Proctor ... Stanley
Charles Swain Charles Swain ... Lester
Ike Jones Ike Jones ... Policeman (as Isaac Jones)
Wallace Earl Laven Wallace Earl Laven ... Secretary (as Wally Earl)
Learn more

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When wild child Anna Lucasta (Kitt) is banished from the family home by her self-righteous father, she falls into a life of prostitution and into the arms of of streetwise sailor Danny Johnson (Davis). But after she shocks them all by finally finding true love with a well-heeled young suitor, her unforgiving father sets a vengeful plan in motion to remind his daughter of her sordid past and destroy her future forever. Written by Anonymous

Plot Summary | Plot Synopsis


The Notorious- Anna Lucasta See more »




Approved | See all certifications »

Did You Know?


The Black cast toured Europe in 1944. There was also a revival that performed in London in 1947. An all white cast (originally it was written for a Polish-American family) starring Paulette Goddard, also went to Paris. See more »


Frank: But the state of stress in the world today, a man's got to have a pretty good pair of... kidneys
See more »


Referenced in 84 Charing Cross Road (1987) See more »


That's Anna
(Title song)
Lyrics by Sammy Cahn
Music by Elmer Bernstein
Sung by Sammy Davis Jr.
See more »

User Reviews

Kitt and Davis sizzle
28 January 2018 | by gbill-74877See all my reviews

Eartha Kitt sizzles in this film about a tough young woman who we first meet in a San Diego bar, fending off unwanted advances by sticking a cigarette into a guy's neck. She's just scraping by, having been thrown out of her house by her father. We gradually get the idea she sells herself to sailors, one of whom is the fast-talking Sammy Davis Jr., who appears here in his first acting role. She's taken back home by her father for ulterior reasons, and meets an intelligent young college graduate (Henry Scott). Can she 'make good' with the young man, despite the shame of her past?

Kitt is fantastic, and plays scenes of defiance, anger, out of control partying, tenderness, vulnerability, and grief all very well. She's a delight to watch, as well as to listen to, with that fabulous, silky voice. Sammy Davis Jr. more than keeps up with her with snappy, hip dialog and a short dance scene that shows just how light on his feet he was. The script has plenty of innuendo, and Kitt's look when Scott asks her what she did down in San Diego is priceless. "I didn't go to college," she purrs. But my favorite line is when Davis Jr. says in an impassioned tone, "You and me, we're real people, Anna. We're the real stuff. Many's the time we set the Earth on fire. You stick with me and we'll burn it up!" It's a great scene with a lot of emotion, and he is marvelous in it.

The supporting actors in the cast are reasonably good as well. Rex Ingram plays her alcoholic father who would probably win the "worst father ever" award if it existed, and Frederick O'Neal is her opinionated brother-in-law who is also pretty hard to like, though both do fine jobs. Georgia Burke is the sweet mother who never loses faith in her daughter, and it's nice to hear her singing around the house. Aside from her singing and the nightclub music, however, the background music in the soundtrack is pretty mediocre.

The film does have a low-budget feel to it, and the quality of print that I saw was unfortunately much worse than others from this time period. For the most part it's pretty ordinary filmmaking, but I did notice some subtle things in the background of a couple of shots that were interesting. In one, as Anna wrestles with her sad past, assuming it won't be good enough for her new suitor, she stands in front of a photography store window which has pictures of smiling people, including a large one of a happy baby. In another, as she's with her father, trying to reconcile with him (which is a surprise given his past treatment), a stitchery hangs in the background saying "God is Love."

It was very refreshing to find that the film had no stereotypes. While it's a dysfunctional family straight out of Tennessee Williams and therefore a bit extreme, the script could have been performed by an all-white cast without a single change. I loved seeing Eartha Kitt and Sammy Davis Jr., especially Kitt, and it's no wonder Orson Welles called her "the most exciting woman in the world." She is as gorgeous as she is talented. There are a couple of moments in the plot that stretch credibility, and it gets a little melodramatic for sure, but it's also highly entertaining and deserves a higher average rating for the star power.

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Release Date:

16 January 1959 (Sweden) See more »

Also Known As:

Ana Lucasta See more »

Company Credits

Production Co:

Longridge Enterprises See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.66 : 1
See full technical specs »

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