Journalist James Fullalove helps Quatermass research the history of Hobbs Lane, finding its name derives from Hob - the devil. A technician, Sladden, succeeds in opening a sealed compartment in the ...
Roney and Quatermass develop their theory about the Martians' visit to Earth, instilling their essence into man's ancestors, Sladden, alone in the pit, flees in terror as strange forces are conjured ...
Professor Quatermass is trying to perfect a dangerously unstable nuclear-powered rocket engine. After a disastrous test firing in Australia, his soon-to-be son-in-law, Captain John Dillon, ... See full summary »
In the near future, civilisation has broken down to the barest fragment of recognisable life. Young people are forming gangs and dominating the wrecks of cities like London. But the ... See full summary »
Professor Bernard Quatermass, Director General of the British Experimental Rocket Group, launches the first manned space flight from Australia. A malfunction sends the rocket and its three ... See full summary »
A separate screenplay by Nigel Kneale for theaters, parallel to the 1979 Quatermass four part mini-series. The story set in the near future involves influences from outer space that are possessing people. Professor Quatermass must save his granddaughter from the clutches of a popular and sinister cult "Planet People" that "performs raptures".
When a skull is found during building works at Knightsbridge, London, the work is halted in order that a full archaeological dig can proceed. The diggers delve deeper, finding more skulls, but also finding some form of tube-like shell made of a ceramic like material. The Ministry of Defence believe it to be an un-exploded bomb, but when they manage to dig inside the shell, dead insect-like creatures are found. The MOD continue with their story, but Professor Quatermass's theory that the insects are Martians who visited Earth over five million years ago is proved to be correct with drastic consequences.Written by
During the cliffhanger of Episode Two ("The Ghosts") the interior of the capsule is still streaked with dirt and clay. When this scene is reprised at the start of Episode Three ("Imps and Demons") the capsule is completely clean, even though no time is supposed to have elapsed. See more »
Yeah, I reckon this'll cut through pretty well anything that exists. I did steel armor plate with it six inches thick, just like that! Oh, it was legal. Bloke shut in a strong room, I got him out. Secret job, like this one.
Then I'm glad you don't talk about it.
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All commercial releases prior to the 2004 DVD box set are an edited omnibus version. Several scenes written to allow actors to move between sets during the live broadcast were removed, along with the opening and closing titles. See more »
The line above, uttered by Professor Bernard Quatermass in the abandoned and derelict building in Hob's Lane, Knightsbridge, remains one of the most chilling moments of dialog ever uttered on either the television or theatrical screen. I was twelve at the time and came as close to wetting my pants that night as I have since. (with the possible exception of the day I received a letter postmarked R.A.A.C. telling me I had been conscripted into the Australian Army in 1967 - THINK about it!)
So far ahead of its time QUATERMASS AND THE PIT, Nigel Kneale's third installment in the Quatermass series, was a brilliant pot-pourri of horror, sci-fi, mysticism, the occult and just plain scripted genius. It was estimated that more than 3/4 of Britain were tuned-in to the 6th and final episode - the rest we presume, didn't have television!
Distinguised British actor Andre Morell WAS the perfect Quatermass, Senior Government scientist and head of Rocket Research, assigned to an investigation of the presumed 'unexploded bomb' unearthed during a routine archaeological 'dig' at Knightsbridge, subsequent upon the discovery of a human skull during building excavation there. Following the unearthing of the object virtually unmarked, yet located BELOW the skull, since carbon-dated as being at least five million years old, extreme paranormal occurrences are recorded which in 1958 were simply terrifying. Their power can still be seen even in the creaky and grainy old B & W video re-edit that was released some years ago and which I regularly watch, probably as much to re-capture my youth as to be thrilled once again.
This was a cerebral trip, Neve Campbell really wouldn't have slotted in here! It was a DIFFERENT fear back then...cabalistic markings, disturbing sounds, ghosts and demons you couldn't see, but KNEW were there (that awesome utterance in the summary!) and the biggest fright of all - the dead martian as it rustled and slipped through that web of decaying strands that had held it in place all those centuries! The big-screen color re-make FIVE MILLION YEARS TO EARTH was OK but lost all the POWER of the TV original and remains a pale imitation.
To have been able to watch this epic piece of film-making AT THE TIME was a great privilege, I don't think today's audience are going to feel quite the same about Freddy Krueger or Jason Voorhees in 2046. (although I HAVE to say, I rather LIKE these guys...they're almost family now!)
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