Naked City (1958) - News Poster



‘Carmine Street Guitars’: Naked City’s Bill Frisell Talks Fender Mustangs In Trailer For Ron Mann-Directed Doc

  • Deadline
Bill Frisell, a member of John Zorn’s Naked City and the man who provided the music for the TV version of Gary Larson’s The Far Side, talks Fender Mustang guitars and The Astronauts in this exclusive clip of doc Carmine Street Guitars, which premieres next week in Venice.

The doc, which has its world premiere in Venice on September 3 before airing in Toronto and New York, was instigated by filmmaker and guitarist Jim Jarmusch and tells the story of the fabled Greenwich Village guitar shop.

Directed by Ron Mann (Altman), it follows custom guitar-maker Rick Kelly and his apprentice Cindy Hulej, who build handcrafted guitars out of salvaged wood from historic New York buildings. Fans have included Bob Dylan, Lou Reed, Patti Smith and Jarmusch.

The doc, which is exec produced by Gimme Shelter’s Carter Logan with music from The Sadies, feature Frisell, Nels Cline (Wilco), Kirk Douglas (The Roots), Eleanor Friedberger,
See full article at Deadline »

Skyscraper (2018) – Review

Alright, it’s roughly the Summer midpoint, so let’s escape the “dog days” by heading into the cool confines of the local multiplex and catch a flick that practically screams, “big, loud, blockbuster”. This isn’t a new thing, for the past several decades (maybe since the late 70’s), the Summer action extravaganza has been the domain of several stars that seem to be playing much the same character in every flick (that’s the case with “movie personalities” since the dawn of cinema), who seem to have almost been biological engineered for such “heavy lifting”. For the seventies it was Clint Eastwood and Charles Bronson, then with the 80’s they “flexed” their talents to greater heights with Sylvester Stallone and Arnold Schwarzenegger. Toward the end of the decade we got TV stars like Bruce Willis and martial arts masters such as Jean Claude Van-Damn and Steven Seagal. Now
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Daily Dead’s 2017 Holiday Gift Guide – Day 8: Over 100 Horror and Sci-Fi Themed Enamel Pins

  • DailyDead
Welcome back, readers, for another installment of Daily Dead’s 2017 Holiday Gift Guide! For day eight, we are going all in on enamel pins, simply because there are so many amazing designs out there and it was hard to narrow down the list. That being said, here’s a list of over 100 horror and sci-fi themed enamel pins that we discovered online, and we guarantee there’s absolutely something for every genre fan out there, so if you need some stocking stuffer or holiday gift ideas, look no further!

Do keep in mind that in most cases, what you see below is only a partial listing of each site’s inventory, so I recommend digging around each online store for all kinds of goodies, because there are some truly amazing enamel pin designs out there (I could have easily done a list of 200, but my sanity won out).

Also, Daily
See full article at DailyDead »

Nancy Malone’s Estate Donates $500K to AFI in Support of Women Filmmakers

Malone in “The Andy Griffith Show

The estate of the late actor, director, producer, and philanthropist Nancy Malone has gifted $500,000 to the American Film Institute (AFI) with the goal of advancing female filmmakers. The donation will go towards supporting women from the AFI Conservatory and the AFI Directing Workshop for Women (Dww) as well as setting up the new Nancy Malone Initiatives for Women Filmmakers, a press release has announced.

The donation will establish the Nancy Malone Symposium, a coalition for the advancement of female filmmakers which will be held yearly at AFI Fest beginning in 2018.

“It was Nancy’s lifelong wish that women storytellers be heard,” explained Linda Hope of the Nancy Malone estate. “The Nancy Malone Initiatives for Women Filmmakers ensure that her wish is realized.”

Nancy Malone remains an enduring inspiration at the American Film Institute,” added Bob Gazzale, AFI President & CEO. “This peerless gift in support
See full article at Women and Hollywood »

Hypnotic Chill! Monster Thrill!

This short article is in the spirit of the crowded ad-mat advertising blurbs that, once upon a time, would show up in the newspaper for horror related features. The particular composite above is a fantasy, but since all films back then were for General Audiences, a stack like it is entirely credible. Here, it’s an excuse for a trio of personal Savant anecdotes, vividly remembered from fifty-odd years ago.

Not Bad! Charlie Largent assembled this convincing triple bill ad paste-up,

customized for San Bernardino in 1964.

Don’t listen to Gen X’ers or Millennials, kids: the Real era to be an adolescent moviegoer was in the 1950s and 1960s, when downtown movie palaces had regular Saturday kiddie matinees, just as seen in the nostalgic Joe Dante movie. Theaters in most towns functioned as ad hoc babysitters, with kids dropped off in clumps. In many cases the oldest squab in
See full article at Trailers from Hell »

It Came From The Tube: Crowhaven Farm (1970)

The cultural impact of satanic megahit Rosemary’s Baby (1968) was substantial and immediate. All of a sudden supernatural horror was in vogue, whether directly mentioning the Big S or delving into covens and cults. Somehow if money was to be made, Lucifer would be there with his asbestos lined suitcase ready to take donations from one and all. Which brings us to the small screen’s Crowhaven Farm (1970), an ABC Movie of the Week that terrified TV audiences with the knowledge that not all evil has to be metropolitan.

Originally airing on Tuesday, November 24th, Crowhaven Farm’s closest competition was CBS’s Hee Haw, but even those yokels couldn’t beat ABC’s juggernaut, which always won its time slot. And while it may not be a match for Rosemary’s devilish wit and urbane horror (not much is), Crowhaven Farm still offers plenty of spooky, countrified atmosphere.

See full article at DailyDead »

New to Streaming: ‘Right Now, Wrong Then,’ ‘The Life Aquatic,’ ‘The Discovery,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

The Blackcoat’s Daughter (Osgood Perkins)

Osgood Perkins’ debut feature, The Blackcoat’s Daughter – originally known as February at its premiere at Tiff last year – is a stylish exercise in dread, teasing out its slow-drip horrors with precision, and building a deliriously evil presence that hovers along the fringes. However, there’s a thin line between mystery and vagueness in storytelling, and it becomes difficult to decide where a
See full article at The Film Stage »

‘Most Beautiful Island’ Review: Ana Asensio’s SXSW Winner Is a Spellbinding Thriller About Immigrant Life In America

‘Most Beautiful Island’ Review: Ana Asensio’s SXSW Winner Is a Spellbinding Thriller About Immigrant Life In America
A short, stressful, and utterly spellbinding debut that transforms the immigrant experience into the stuff of an early Polanski psychodrama, Ana Asensio’s “Most Beautiful Island” is a worthy winner of the SXSW Grand Jury Prize for best narrative feature, and — more importantly — strong evidence of a cinematic juggernaut in the making.

Asensio, a thirtysomething Spanish actress whose work is virtually unseen on these shores, not only wrote, directed, and produced this fraught metropolitan thriller, she also appears in just about every frame. And while the film might begin by suggesting that its heroine was chosen at random (a mesmeric prologue follows seven different women as they weave through the sidewalks of Manhattan, the camera picking them out of a crowd as if to wordlessly reassert that most of the Naked City’s seven million stories remain untold), Asensio’s compulsively watchable lead performance splits the difference between the specific and the representational.
See full article at Indiewire »

Something Wild (1961)

Something Wild


The Criterion Collection 850

1961 / B&W / 1:66 widescreen 1:37 flat Academy / 113 min. / available through The Criterion Collection / Street Date January 17, 2017 / 39.95

Starring: Carroll Baker, Ralph Meeker, Mildred Dunnock, Jean Stapleton, Martin Kosleck, Charles Watts, Clifton James, Doris Roberts, Anita Cooper, Tanya Lopert.

Cinematography: Eugen Schüfftan

Film Editor: Carl Lerner

Original Music: Aaron Copland

Written by Jack Garfein and Alex Karmel from his novel Mary Ann

Produced by George Justin

Directed by Jack Garfein

After writing up an earlier Mod disc release of the 1961 movie Something Wild, I received a brief but welcome email note from its director:

“Dear Glenn Erickson,

Thank you for your profound appreciation of Something Wild.

If possible, I would appreciate if you could send

me a copy of your review by email.

Sincerely yours, Jack Garfein

Somewhere back East (or in London), the Actors Studio legend Jack Garfein had found favor with the review. Although
See full article at Trailers from Hell »

Arthur Hiller, 'Love Story' Director, Dead at 92

Arthur Hiller, 'Love Story' Director, Dead at 92
Arthur Hiller, the director of Love Story, The Out-of-Towners, The In-Laws, The Hospital, among others, died Wednesday of natural causes, the Academy of Motion Picture Arts and Sciences announced. Hiller, who served as the Academy president between 1993 and 1997, was 92.

Hiller is best known for directing 1970's Love Story, the Oscar-nominated drama starring Ali MacGraw and Ryan O'Neal. Filmed on a shoestring budget of $2 million, the film went on to gross over $106 million, or $659 million in today's adjusted box office. As The Hollywood Reporter notes, the success of Love Story, considered one of cinema's greatest tearjerkers,
See full article at Rolling Stone »

‘Man Plus #4′ Review

Written by Andre Lima Araujo | Art by Andre Lima Araujo | Published by Titan Comics | Format: Paperback, 32pp

As I’ve pointed out in my reviews of the previous issues, this is on the surface a very derivative series, mixing up a wide variety of genres but also managing to blend them together into a nice, cohesive story. Anyway, one man’s imitation is another man’s homage, is it not. What makes this melting pot of genres work is to a degree the strong, though obviously still establishing themselves, cast of characters and the living, breathing city of Olissipo City. You always get the impression that a lot is going on in that city in the background, though we are only following the main storyline ourselves. It reminds me of that classic TV show intro, ‘There’s a million stories in the Naked City. This is just one of them’.

A lot happened last issue.
See full article at Blogomatic3000 »

Everybody Loves Raymond: Doris Roberts Dies at 90; Farewell Marie Barone

[caption id="attachment_47663" align="aligncenter" width="384"] Angela George at Permission (Reusing this file.) Otrs Wikimedia./caption]

Actress Doris Roberts has died at the age of 90. An accomplished performer with a C.V. longer than your arm, Roberts assumed her best-known TV role as Marie Barone, on CBS's Everybody Loves Raymond TV series, from 1996 to 2005.

Born Doris May Green, November 4, 1925, in St. Louis, Missouri, the actress took her step-father's surname. Her earliest TV series roles, in the 1950s, were in properties such as Starlight Theatre, Studio One in Hollywood, Suspense, Look Up and Live, 'Way Out, Ben Casey, Naked City, The Defenders, and The Doctors and the Nurses.

Read More…
See full article at TVSeriesFinale »

Doris Roberts Dies: ‘Everybody Loves Raymond’ Mom Was 90

TV, film and Broadway actress Doris Roberts, best known as Ray Romano’s (Raymond Barone) mother Marie on the sitcom Everybody Loves Raymond, has died. Her son, Michael Cannata, says Roberts died in her sleep of natural causes Sunday night. She was 90. A St. Louis native, Roberts began her acting career in the early 1950s on TV’s Studio One, going on to appear in such series as The Naked City, Way Out, Ben Casey and The Defenders. She later segued to film in the 1960s and…
See full article at Deadline TV »

Doris Roberts Dies: ‘Everybody Loves Raymond’ Mom Was 90

Doris Roberts Dies: ‘Everybody Loves Raymond’ Mom Was 90
TV, film and Broadway actress Doris Roberts, best known as Ray Romano’s (Raymond Barone) mother Marie on the sitcom Everybody Loves Raymond, has died. Her son, Michael Cannata, says Roberts died in her sleep of natural causes Sunday night. She was 90. A St. Louis native, Roberts began her acting career in the early 1950s on TV’s Studio One, going on to appear in such series as The Naked City, Way Out, Ben Casey and The Defenders. She later segued to film in the 1960s and…
See full article at Deadline Movie News »

Doris Roberts, ‘Everybody Loves Raymond’ Star, Dead at 90

  • The Wrap
Doris Roberts, ‘Everybody Loves Raymond’ Star, Dead at 90
Doris Roberts, who played Ray Barone’s prying mother on the sitcom “Everybody Loves Raymond,” died Sunday, a representative for the actress told TheWrap on Monday. She was 90. Born in St. Louis, Missouri, in 1925, Roberts began acting in 1952, appearing on the television series “Studio One.” Appearances on “The Naked City,” “Ben Casey” and “The Defenders” followed. She first appeared on the big screen in the 1961 film “Something Wild.” Roberts’ other film credits include “A Lovely Way to Die,” “No Way to Treat a Lady” and “The Honeymoon Killers.” On television, she also appeared on “Mary Hartman, Mary Hartman,”...
See full article at The Wrap »

Batman, The Twilight Zone: Director James Sheldon Dies at 95

TV Director, James Sheldon, has died at the age of 95. Sheldon's extensive resume includes classic TV series like The Millionaire, The Twilight Zone, Naked City, Batman, M*A*S*H, Route 66, The Fugitive, Sanford & Son, and The Waltons. His last direction credit was the "Dori Day Afternoon" episode of Sledge Hammer!, which was cancelled by ABC, after two seasons.

Per his New York Times biography, Sheldon directed over 1,000 TV show episodes and discovered his fair share of talent, including the late Tony Randall, co-star of the first TV adaptation of The Odd Couple. Randall had landed a bit part on the Mr. Peepers TV series. Reportedly, Sheldon was so pleased with his performance, he expanded Randall's part in the script and cast him as a series regular.

Read More…
See full article at TVSeriesFinale »

15 Weirdest Bands Of All Time

Cryptic Corporation

Rock has long been a breeding ground for weirdos. From the crazy prog concept albums of the 70s, to the aggressive post-punk groups of the 80s, to the alt-rock oddballs of the 90s, rock music has never shied away from the surreal or the strange. Perhaps its the genre’s outsider status that has allowed such unusual acts to prosper. Or maybe it just attracts nutters.

There are a few bands, however, that go that little bit further than most into the realms of the insane. They take the genre beyond “a bit bizarre” and into seriously mind-boggling territory. These are bands that simultaneously make audiences utterly confused and completely enthralled. They inspire humour, intrigue and a general response that amounts to “Wtf?!”

The 15 weirdest bands to ever grace a stage are included here. There’s the unclassifiable genre jumpers Ween, the clashing sonic fusions of Praxis and Naked City,
See full article at Obsessed with Film »

Great Movie Characters: Joe Leland in The Detective

By Alex Simon

By the mid-1960s, the notorious Hayes Code, the censorship standards begun in the 1930s, had begun to fall away. Films like Who’s Afraid of Virginia Woolf, Bonnie & Clyde, The Graduate and In the Heat of the Night started pushing the envelope in terms of “adult” content portrayed on-screen. With the advent of the MPAA rating system in November, 1968 a new era of freedom was ushered in. Filmmakers could frankly portray sex, violence, profanity and formerly taboo subject matters. While the aforementioned films are all iconic in stature, one of the key films that pushed the rating system into being is now largely forgotten.

Roderick Thorp’s 1966 novel The Detective became an instant best-seller, a mammoth (600 pages), unflinching look at Joe Leland, a weary veteran cop who finds his legal and personal mettle tested while investigating the brutal murder of a wealthy, gay department store heir.
See full article at The Hollywood Interview »

Blu-ray Review – The Killers (1946)

The Killers, 1946.

Directed by Robert Siodmak.

Starring Burt Lancaster, Ava Gardner, Edmund O’Brien, Albert Dekker, Sam Levene and Jack Lamberto


A pair of hit-men carry out the murder of an unresisting victim. A partnership of insurance investigator and police detective try to establish the facts surrounding the crime.

Taking a classic Ernest Hemingway short story and expanding it to include a full variety of twists and turns, this crime drama directed by German émigré Siodmak was one of the originators of the film-noir genre. Starting off with the professional murder of its main star (Burt Lancaster, in his cinema début) is an ultra-modern approach to this whodunnit. A feast for fans of guess the outcomes, the motivations and fixations of the film’s main players are delicately balanced, and as a whole the piece benefits from a collection of superbly poised performances.

Lancaster brings a haunting quality to
See full article at Flickeringmyth »

9 Famous Emmy Firsts: How Bill Cosby and More Made TV History

9 Famous Emmy Firsts: How Bill Cosby and More Made TV History
This year's Emmy nominations saw a historic first: Orange Is the New Black star Laverne Cox was nominated for the outstanding guest actress in a comedy series award, making her the first openly transgender person nominated in an acting category. (Conductor Angela Morley won several Emmys for music direction.)

The award ultimately went to Cox's Orange costar, Uzo "Crazy Eyes" Aduba – the win was announced during the Creative Arts portion of the awards, which took place on Aug. 16 – but Cox's nomination is a first nonetheless. Now in their 66th year, the Emmy Awards have seen many famous firsts. Have a
See full article at - TV Watch »
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