Ivanhoe, a worthy and noble knight, the champion of justice returns to England after the holy wars. He finds England under the reign of Prince John and his henchmen and finds himself being ... See full summary »
Set against an appealingly sunny Sicilian backdrop, the film finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an old colleague-turned-Mafia kingpin.
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
A European arms dealer (Sir Roger Moore) meets a liberated woman journalist (Susannah York), who is writing a story about the ridiculous things men do with the armaments during a N.A.T.O. ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
Richard Greene's "Adventures of Robin Hood" was in its 3rd successful year, and NBC was headed for a wrap on "Adventures of Sir Lancelot", when Columbia Screen-Gems decided (December, 1956) to produce this 39 episode series with Sydney Box Productions in England. Actually, the schedule to get the pilot before ABC (which didn't purchase the show) required that the first episode and the head-title/tail-credit sequences be filmed at the Columbia Ranch outside LA in February 1957. Only this episode was shot in color (only released for broadcast in B&W). The show then returned to post-winter England. The pilot-episode features Roger Moore with a much tighter haircut and an open-throat camail of armor. The backgrounds are also quite Southern California. The show was more lavish than "Robin Hood", and generally more engaging than "Sir Lancelot". Moore and Brown had good chemistry and became close life-long friends. The half-dozen best episodes would be, "Freeing the Serfs" (pilot), "The Witness", "The German Knight", "Rinaldo", "Brothers in Arms", and "Freelance". The most dramatically balanced of these (with better than average production) is "Freelance". The largest action scene is the closing ambush-and-battle, involving 25 mounted riders, in the higher budgeted pilot, "Freeing the Serfs". The best staged and scored sequence is the joust and duel between Moore and Christopher Lee in, "The German Knight". A lot of Baby Boomers have fond memories of seeing this series in syndication as kids.
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