Britain, 1953. Upon his return to work following a heart attack, barrister takes on a murder case,. The case is defending American war vet Leonard Vole, a poor, out of work, struggling inventor who's accused of murdering his middle-aged lonely and wealthy acquaintance, Emily French. The evidence is circumstantial but points to Leonard as the murderer, butr the csse has constant revelations.Written by
As Sir Wilfred is cross-examining the Chief Inspector, his monocle chain is over his right collar tab, but after a shot from behind the chain is running under the tab so that when he raises the monocle it lifts the tab up to his chin. See more »
It isn't even my letter paper! I write my letters on small, blue paper with my initials on it?
[pulling out a sheaf of letters on blue paper]
Damn you! Damn you! Let me go! Let me get out of here!
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As the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution." See more »
To see "Witness for the Prosecution" for the first time in 2008 is a jolting surprise. Nobody could do it better than Billy Wilder did in 1957. A man accused of murder, Tyrone Power, the weakest link in this terrific chain. Sir Wilfred is called to defend him, he is played by the extraordinary Charles Laughton, but he's just out of hospital - he wasn't dismissed he was expelled - and due to doctor's orders he's not to take any criminal cases. He finds Power charming and personable enough but he's not going to risk his life to save his until Marlene Dietrich makes her entrance - and what an entrance! How marvelous that what amounts to a bit of Agatha Christie's usual fare becomes such an entertaining and at times right down riveting piece of film-making.
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