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Witness for the Prosecution (1957)

Not Rated | | Crime, Drama, Mystery | 6 February 1958 (USA)
A veteran British barrister must defend his client in a murder trial that has surprise after surprise.

Director:

Billy Wilder

Writers:

Agatha Christie (in Agatha Christie's international stage success), Billy Wilder (screen play) | 2 more credits »
Reviews
Popularity
3,882 ( 136)

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Top Rated Movies #65 | Nominated for 6 Oscars. Another 3 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Tyrone Power ... Leonard Vole
Marlene Dietrich ... Christine
Charles Laughton ... Sir Wilfrid Roberts
Elsa Lanchester ... Miss Plimsoll
John Williams ... Brogan-Moore
Henry Daniell ... Mayhew
Ian Wolfe ... Carter
Torin Thatcher ... Mr. Myers
Norma Varden ... Mrs. Emily Jane French
Una O'Connor ... Janet MacKenzie
Francis Compton ... Judge
Philip Tonge ... Inspector Hearne
Ruta Lee ... Diana
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Storyline

It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

It's climaxed by the 10 breath-stopping minutes you ever lived! Don't reveal the ending-please! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German

Release Date:

6 February 1958 (USA) See more »

Also Known As:

Testigo de cargo See more »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$8,175,000

Cumulative Worldwide Gross:

$16,350,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Marlene Dietrich named Billy Wilder as one of the three greatest directors she ever worked with. The others were Josef von Sternberg and Orson Welles. See more »

Goofs

Christine has shaved eyebrows and higher and narrow ones drawn on when she is on the witness stand negating Leonard's alibi. When she is recalled to be exposed for writing letters to Max, she has natural eyebrows, same as the mysterious woman at the bar with the scar. See more »

Quotes

Mr. Myers: I hope we are not to be deprived of the learned and stimulating company of Sir Wilfrid?
See more »

Crazy Credits

Before the film begins, a message appears onscreen saying that to avoid ruining the effect of the surprise ending, patrons should not take their seats during the last few minutes of the movie. See more »

Connections

Referenced in Law & Order: Patient Zero (2003) See more »

Soundtracks

I May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)
See more »

Frequently Asked Questions

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User Reviews

Billy Wilder meets Agatha Christie
2 March 2004 | by michelerealiniSee all my reviews

Another brilliant work in the legendary career of Billy Wilder. The director signs a cinematic adaptation of this Agatha Christie story: actually it is really as if the camera went on stage for filming the play. But the film is passionating and exciting, there's no time to get bored.

Another thing we shall not forget is that Billy Wilder is European. He manages to keep the spirit of the film very British, with lots of humour and sarcasm. Compared to films like this one, "legal" movies from John Grisham's novels are empty and meaningless, without soul.

Mr.Wilder is the director, we know; we have Charles Laughton, Tyrone Power and Marlene Dietrich: what a cast! Add a superb black and white cinematography... The result is amazing, with a film where dialogues are flawless and carry everything.

Times are different now, but the atmosphere and the taste of movies like this one are impossible to find in contemporary films.


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