Three thieves rip off a shipment of used money being sent back to the US. As they are escaping the robbery (after having taken a hostage), they wind up on an island in a hotel with an ... See full summary »
A gang leader dumps her criminal boyfriend when he is convicted of robbery, but he recovers the stolen loot once he's released. In retaliation, the gang kidnaps his son and demands the money as ransom.
"Doctor" Jayne Mansfield is in Italy to show a peer her documentary about mating customs from around the world while at the same time having to deal with two bellhops who have an idea or two about mating with Jayne.
In 1896 it is announced that the Olympic Games will be revived in Athens. A young shepherd, Spiridon Loues, decides to enter the 26-mile marathon. Once in Athens, he meets Christina Gratsos... See full summary »
A businessman plans to solve his tax problems by financing a film version of "Romeo and Juliet". He hires Maurice Chevalier and Jayne Mansfield to play the title roles, and Akim Tamiroff to... See full summary »
Joan Collins, Jayne Mansfield and Dan Dailey star in this engaging drama based on a novel by John Steinbeck. Three strangers - a stripper (Mansfield), an alcoholic wife (Collins) and a ... See full summary »
In this spoof of the TV advertising industry, Rockwell Hunter is the low man on the totem pole at the advertising company where he works. That is, until he finds the perfect spokes model for Stay-Put lipstick, the famous actress with the oh-so-kissable lips, Rita Marlowe. Unfortunately, in exchange, Rock has to act publicly as Rita's "Loverdoll", and Rock's fiancée Jenny isn't too happy about it either.Written by
Syam Gadde <firstname.lastname@example.org>
Tony Randall plays the 20th Century Fox fanfare when the logo appears, saying it was in his contract to do so. He then introduces the film, but forgets the title and tries to remember it. Finally, his three female co-stars appear to announce the film's correct title. See more »
Frank Tashlin's brilliantly sardonic romantic satire remains his best film, one of many forgotten Tashlin masterpieces of the 1950s. Jayne Mansfield shines as the larger-than-life comic relief, Tony Randall is Tashlin's troubled alter ego, torn between corporate "success" and personal satisfaction, Henry Jones is his tragic, pill-popping, excessively phlegmatic executive co-worker , Joan Blondell a washed-up, lovelorn, milk-obsessed (!) variation on the Mansfield-type. The color, the Cinemascope, the set design all produces a cartoon-like visual magic which makes the deeply serious subject matter not only palatable but highly entertaining. Never mind Tashlin's mastery of Brechtian distanciation...
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