A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
A trapper and his two partners work as scouts for a remote army fort where they witness an incompetent colonel's decision to throw his small unprepared garrison against Red Cloud's sizable Sioux force.
Veteran bounty-hunter Morg Hickman rides into a town in danger. The sheriff has been killed, and young inexperienced Ben Owens named a temporary replacement until a permanent can be found. Ben wants to be that permanent replacement, so needs to impress the townspeople with his skill. When he finds that Morg was a sheriff for a long time before he became a bounty-hunter, he asks the older man to teach him. Morg thinks that being a sheriff is a foolish goal, but agrees to instruct Ben in handling people, more important to a sheriff than handling a gun.Written by
Ken Yousten <email@example.com>
For $40 a month and a shiny Tin Star... the young sheriff faced the mob alone... except for the angry ex-sheriff who couldn't watch him die and a hero-worshiping boy who lived only for the day he'd wear a TIn Star of his own! See more »
Throughout the film, Ben is shown wearing two guns, and as Tony Perkins was left handed, whenever he draws his pistol, his left hands is correctly depicted as dominant. Yet at one point in a scene during Ben's search for the McGaffey brothers, his horse with Ben on his back, whirls around to reveal Ben only wearing one gun, and that being holstered on his right hip. See more »
1957 was a good year for movies and amongst all the strong contenders, The Tin Star still managed to get Oscar nominated for best original screenplay, by the same screenwriter that brought that real trail- blazing classic, Stagecoach, to life.
Anthony Mann's black & white Western isn't a long, sprawling John Ford epic, nor does it feature Ford's often comical characters but at a fairly concise 92 mins it feels like a real book - a story that's never hurried and which includes proper characterisation and dialogue. Those wanting John Wayne spitting into the dust and cowboys and Indians need look elsewhere...
I've always liked Henry Fonda - and whilst many have pointed out that Mann's main man had previously been James Stewart, Fonda takes that slim thoughtfulness that Stewart eschewed and added dignity as well as grit - maybe somewhere between a Wayne and Stewart mix. You can never take your eyes off Henry Fonda - tall, dark and brooding if there ever was one. Anthony Perkins is (of course) very different to Norman Bates in Psycho and for those of us who saw him in that long before this earlier work, will not be disappointed. Fonda plays the older, wiser but now turned to bounty hunter ex lawman, who helps out rookie sheriff Perkins, both strategically but morally, too, when an outlaw gang terrorise the town.
The near-silent ending is as tense as you'll find anywhere within any Western - and you will be both too - silent AND tense...
Radio Times gives Tin Star a rare five stars - and you won't see this undervalued and under-known western on TV very often. It does get onto Sky Movies Classics once in a while but I don't recall it ever being on terrestrial TV, at least recently, so the DVD does make good sense. If you like the western genre and not yet seen The Tin Star, you really should...
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