A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
A trapper and his two partners work as scouts for a remote army fort where they witness an incompetent colonel's decision to throw his small unprepared garrison against Red Cloud's sizable Sioux force.
Veteran bounty-hunter Morg Hickman rides into a town in danger. The sheriff has been killed, and young inexperienced Ben Owens named a temporary replacement until a permanent can be found. Ben wants to be that permanent replacement, so needs to impress the townspeople with his skill. When he finds that Morg was a sheriff for a long time before he became a bounty-hunter, he asks the older man to teach him. Morg thinks that being a sheriff is a foolish goal, but agrees to instruct Ben in handling people, more important to a sheriff than handling a gun.Written by
Ken Yousten <email@example.com>
Anthony Perkins and John McIntyre were reunited in _Psycho_(1960) three years later. See more »
Throughout the film, Ben is shown wearing two guns, and as Tony Perkins was left handed, whenever he draws his pistol, his left hands is correctly depicted as dominant. Yet at one point in a scene during Ben's search for the McGaffey brothers, his horse with Ben on his back, whirls around to reveal Ben only wearing one gun, and that being holstered on his right hip. See more »
This film is a classic. Henry Fonda as the lone bounty hunter,
Anthony Perkins as the tyro Sheriff. Fonda plays this one close to the chest, minimal dialog, maximum emotional effect. Only Jimmy Stewart underplays a western tough guy as well as Fonda.
We have all the necessary ingredients for a fine screenplay. We have greed, hate, violence, racism, ignorance, and just plain human decency all exposed on screen with an even pace to measure the morals meted out by Fonda's character as the plot unfolds.
You want both to be a character in this story and yet stay as far away from it as possible.
So it fails as a fairy tale, but succeeds in taking our souls for a walk outside our values and qualifies as a fine tale of human endeavor.
See this film, the western context only enhances the plot line.
I highly recommend it.
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