Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot.Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot.Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot.
- Pylon Air Race Announceras Pylon Air Race Announcer
Tarnished Angels is equal in artistic accomplishment to the other great Sirk film I've seen, Written on the Wind. Both star Rock Hudson, Robert Stack, and Dorothy Malone, but there is a big difference between the two. Written on the Wind is a florid melodrama, the kind that Sirk was famous for. The colors are almost psychedelic, and the level of melodrama makes it feel like the world is about to end. Tarnished Angles is filmed in black and white, and, while it is melodramatic, it never feels like it's going over the edge. Sirk plays it at a level where you can feel the desperation of the characters (the novel, which isn't as prudish (the film, of course, was made under the Hayes Code), depicts a level of loss and desperation that is simply murder; the ending of the film, which I wouldn't exactly call happy, is a hundred times less depressing than that of the novel). But, unlike in Written on the Wind, it never seems like Sirk is laughing at or making fun of the characters in Tarnished Angels. It seems like he meant this film to be an honest adaptation of a great novel. He succeeded quite well. 9/10.
PS: The Criterion Company recently released Written on the Wind and All That Heaven Allows on DVD. I beg them to release this one next. The version on VHS is cropped from its widescreen glory, and you can tell. It feels very cluttered and claustrophobic, and often the panning and scanning seem choppy. The opening credits keep the widescreen, and it looks like it might be an even more visually spectacular film than I noticed. I really wish that they wouldn't get my hopes up by holding the original aspect ratio through the opening credits. What I want to see one day is the word "CINEMASCOPE" cropped to "EMASC" at the beginning of a film in a 1.33:1 aspect ratio.
- Nov 5, 2001