The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »
An aging heir-less millionaire wants to leave his fortune to the unsuspecting family of his first love but not before testing his prospective heirs by living with them under the guise of a poor boarder.
In the 1930's, a First World War flying ace named Roger Schumann is reduced to making appearances on the crash-and-burn circuit of stunt aerobatics. His family are forced to live like dogs while Shumann pursues his only true love, the airplane. When Burke Devlin, a reporter, shows up on the scene to do a "whatever happened to" story on Shumann, he is repulsed by the war hero's diminished circumstances and, conversely, drawn to his stunning wife, LaVerne.Written by
When Laverne does her parachute jump, she is seen in close shots hanging by her arms from a trapeze-style bar. However in the longer shots, she is seen to be in a normal parachute harness as she lands. See more »
On the level, what'd you do last night?
Nothing much:just sat up half the night discussing literature and life with a beautiful, half naked blonde.
You better change bootleggers.
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Even though I haven't seen this movie in quite a while, it's ironic I would write this review shortly after viewing "Written On The Wind" for the first time recently. "Ironic" because of the main actors star in both films: Robert Stack, Rock Hudson and Dorothy Malone, and both films were directed by Douglas Sirk.
Personally, I thought this film was far more interesting than the more well-known WOTW. This was a better story.
Dorothy Malone, for one, looked a heckuva lot better in this movie. She had some classic beauty and shows it here more than the trampy role in the other film.
I also preferred this film because it had some fascinating and dramatic flying scenes, things I have never seen before on film. Apparently, they had these 1930s air races in which planes few around pylons, almost like a horse race on land. This is the only film I've seen that pictured.
Another thing I enjoyed was Hudson's dramatic story at the end of the movie which, at first, seemed ridiculously melodramatic but was said so well that I found in very compelling, and it tied the whole story together.
I also appreciated Malone doing the right thing at the end, telling off Hudson for coming on to her, since she was a married woman. This is one of the few films - including those in the 1950s - in which adultery is NOT treated mater-of-factly.
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