In 1942, a cargo ship jammed with British evacuees from Singapore is sunk by a Japanese sub. A small lifeboat carries a beautiful woman, an army officer, a bigoted administrator, and a ... See full summary »
Father Conroy (Crosby) has a parish which serves the acting and performance community. When one of his parishoners gets too sick to work, his daughter Holly (Reynolds) finds a job working ... See full summary »
In the post-world-war-two years, the United States and Japan make efforts to strengthen their friendship and to become allies against the Communist threat exacerbated by the onset of the Cold War. Famous Japanese sculptor Katsura creates a new sculpture symbolizing the growing friendship between Japan and the United States. The memorial features an eternal flame. The U.S. High Commissioner to Japan is given the honor and he agrees to light the monument's eternal flame. The Communist spy network in Japan sees an opportunity to sabotage the ceremony and to attempt to assassinate the U.S. High Commissioner. Communist agent George Underwood is entrusted with this task. At the same time, U.S. Intelligence officer Mark Fannon makes a stopover in Tokyo while on a flight to Korea. Due to the fact that he's lacking the mandatory Letter of Entry in order to enter or transit Japan, Fannon requests and receives the assistance of Tina Llewellyn, an English-speaking assistant travel manager of ...Written by
Previous reviews have accurately pointed out the weaknesses of this film which has been attractively photographed in Japanese locations. Alas, one aspect of the photography only adds to the film's torpor. Too often, dialog is carried out by two characters, one of them on the left side of the CinemaScope screen and the other on the right. The lack of close-ups and a minimum of editing tend to make these scenes stiff and lifeless.
However, there is an extended sequence in a steam-room in which Robert Wagner and Ken Scott are seen with white towels wrapped around their waists. As "beefcake" goes, it's not all that much, but, hey, you take your pleasures wherever you can find 'em.
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