The Seventh Seal (1957)

A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague.

Director:

Ingmar Bergman

Writers:

Ingmar Bergman (play), Ingmar Bergman (screenplay)

Stars:

Max von Sydow, Gunnar Björnstrand, Bengt Ekerot

Top Rated Movies #144 | 7 wins & 1 nomination.

Cast

Complete credited cast:
Gunnar Björnstrand	...	Jöns, squire
Bengt Ekerot	...	Death
Nils Poppe	...	Jof / Joseph
Max von Sydow	...	Antonius Block
Bibi Andersson	...	Mia / Mary - Jof's wife
Inga Gill	...	Lisa, blacksmith's wife
Maud Hansson	...	Witch
Inga Landgré	...	Karin, Block's Wife
Gunnel Lindblom	...	Girl
Bertil Anderberg	...	Raval
Anders Ek	...	The Monk
Åke Fridell	...	Blacksmith Plog
Gunnar Olsson	...	Albertus Pictor, Church Painter
Erik Strandmark	...	Jonas Skat

Storyline

A Knight and his squire are home from the crusades. Black Death is sweeping their country. As they approach home, Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life. The Knight and Death play as the cultural turmoil envelopes the people around them as they try, in different ways, to deal with the upheaval the plague has caused.

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Plot Keywords:

death | knight | chess | medieval times | black death | 

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Taglines:

A film of visual scope, of imaginative concept, of powerful content, written and directed by Ingmar Bergman, twice honored by the Interational Jury at the Cannes Film Festival 1956,1957

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Genres:

Drama | Fantasy

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Certificate:

Not Rated

Details

Country:

Sweden

Language:

Swedish Latin

Release Date:

13 October 1958 (USA)

Also Known As:

The Seventh Seal

Filming Locations:

Gustavsberg, Värmdö, Stockholms län, Sweden

Box Office

Budget:

$150,000 (estimated)

Company Credits

Production Co:

Svensk Filmindustri (SF)

Technical Specs

Runtime:

96 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Nominated in the "Palme d'Or" at the Cannes Film Festival, France 1957.

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Goofs

When Death tries to restore the ruined positions of the chess pieces we can see that the king has been damaged, but in the following last move the king is whole again.

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Quotes

Antonius Block: I shall remember this moment: the silence, the twilight, the bowl of strawberries, the bowl of milk. Your faces in the evening light. Mikael asleep, Jof with his lyre. I shall try to remember our talk. I shall carry this memory carefully in my hands as if it were a bowl brimful of fresh milk. It will be a sign to me, and a great sufficiency.

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Connections

Referenced in (500) Days of Summer (2009)

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Soundtracks

DIES IRÆ, DIES ILLA / VREDENS STORA DAG ÄR NÄRA
Lyrics by Severin Cavallin

User Reviews

The Quintessential Bergman Picture

One thing that can be certain after watching the Seventh Seal, outside of being thankful for living in this century, is that Bergman knows his film-making- and imagery. He uses subliminal and not so subliminal techniques to convey a dying, frightened world, where making a living is almost impossible and the debate of god's control over life is discussed like un-rhyming yet fascinating poetry.

The result is beautiful cinema, capturing the always foreboding fear and allure of the almighty and for the waiting death, appropriately staged in post-crusades, mid dark age Europe. Max Von Sydow gives an excellent showing as the opponent of Death (in a clever and meticulous chess game), yet the character of Death, played by Bengt Ekerot with chilling conviction, steals the show, if only for the alluring quality of the character.

Even if the story veers it veers in good and interesting territory, focusing on people who convey Bergman's point and or style. I can't reveal what the bottom line point is (many newcomers to Bergman's work won't either, especially if you're not in the mood for soul searching), but one thing is for certain, an allegory on life and death is shown perfectly in the second to last shot of the reaper and his minions following in a dance across the field. This is one of the most pure of cinema's masterpieces and certainly Bergman's best cine. A++